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Yesterday my girlfriend and I heard, piped into the King Soopers supermarket on Speer and 14th, near where I work (serves a Hispanic neighborhood to the west, downtown to the east, Auraria Campus to the north), Television's "See No Evil." I'd certainly never heard anything like it — classic Velvets-Byrds-Wagner derived avant garage from the first CBGB era — in a major supermarket chain before. (King Soopers is Kroger's outlet on the Wyoming/Colorado Front Range.) Was followed up by a surf instrumental, then '60s pop hit "Georgy Girl."



Today, at the King Soopers on Evans and Carr, a few blocks south of where I live in heavily Hispanic west Denver, the guy in front of me complimented a woman working checkout by telling her she had a lovely necklace and asking whose picture it featured. "It's a Korean group, GOT7. Sorta hip-hop and dance," she explained. I spoke up: "I know GOT7. They're the latest on JYP," I added, in order to appear knowledgeable. The woman was about 22, seemingly Anglo.* As she rang up my order, I asked her what other K-pop she listened to, and she said her other best band was Infinite. "Oh yeah," I said, "'Be Mine.'" "That's one of their best songs," she said. She said that SHINee was also one of her favorites, but that GOT7 and Infinite were the ones she liked most. "Have good listening," I said, as I carted off my groceries.



Of course, GOT7 have zilch to do with Television, or CBGB. But notice that the love interest in the supermarket in GOT7's "A" is wearing a T-shirt of another classic CBGB act.

*By "Anglo" I mean non-Hispanic Caucasian; I'd be considered "Anglo" by this def'n, even though my ancestry is Eastern and Central European Jew.
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Question that applies to the past and the present: were there/are there many disco boybands and disco girl groups? Except I'm meaning "boyband" and "girl group" a bit more narrowly than I normally would: I'm thinking of the music dating back to the gospel quartets that went secular and was taken over by teens and doo-wop and then the late '50s/early '60s girl groups and permutated through the Impressions and Motown into the Jackson 5 and New Edition and then into New Jack Swing. I have huge gaps in my knowledge, but my sense is that this type of group vocal singing (as opposed to other types of group vocal singing?) made it into funk and '80s black pop much more than into disco and freestyle and house. Obviously there are vocal groups there, too, many I wish I knew better; but not ones that I'd put into a line that goes from doo-wop to Bell Biv DeVoe and the Backstreet Boys and ilk.

Or am I all wrong? Did that sort of boyband or girl group appear much in disco? I kinda feel the Bee Gees might belong here, though despite hitting huge, they seem a bit apart from everyone else, not quite in any line of development (but notice Infinite sounding like the Bee Gees below). I probably ought to count Trammps and Tavares too.

As for the present, K-pop draws hugely on the Jacksons and New Jack Swing while keeping disco and freestyle in its living language. I'm thinking especially of the work of writing/producing duo SweeTune (Han Jaeho, Kim Seungsoo), for instance with boyband Infinite and girl group Nine Muses.

"Paradise"


Nine Muses Figaro and Infinite Be Mine )
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I must say that the South Korean Singles Chart is kinda sucking at the moment. Good songs by SHINee and Sistar will soon be winding up their runs, and Girl's Day's pleasingly perky "Expectation" could only manage one week in the Top Ten. Meanwhile, the music that's been exciting people here and on Rolling K-pop (Gaeko, GLAM, D-Unit, Ladies' Code, MYNAME) are down in the lower reaches, when they're there at all. That this week the chart is topped by over-precious talent-show indie and unremarkable balladry isn't the particular problem — this often happens. I'm disappointed by the idol ballads too (Davichi and Taeyeon), but that's not a giant surprise either. I only ever like a small percentage of ballads. I guess what I'm bummed about is that, after Rainbow came out with a dull non-SweeTune track and a boring concept, the SweeTune comeback track for Infinite is also something of a drag: murky and meh. SweeTune tend to pile sounds into their tracks, and this time the boys' voices couldn't lift the weight. Teen Top's holding on with an okay bit of cod-Latin, but they've been catchier too.

Not that I think the Korean popular genres are in trouble. That there's plenty of good stuff hitting small or flopping means that the wellspring is still gushing, even if the dice are landing wrong. And actually, onstage, with the excellent dancing and the thrilled fans, Infinite and Teen Top are coming through, K-pop as a never-ending stream of event upon event upon event. The spark's there, crisp movement, sharp with the kneebend, just needs better notes and the voices need to be used better:

Infinite "Man In Love"


Teen Top )

By the way, down in the OST ballad pit, Baek Ji Young is excellently overdramatic on "Acacia," and was even more excellently extreme three months ago giving way to hate.
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Writing has its own versions of Auto-tune and plastic surgery: they're called "rewriting" and "editing" (incl. in-the-head and unconscious editing, before your own or another person's hand even starts reworking the prose).

Okay, those aren't great analogies and I'm not going to push them. Just, I have a gut-level aversion to the idea of someone undergoing plastic surgery (not counting to repair injuries and to compensate for gross disfigurement), but "gut-level aversion" is not the same thing as an idea or an argument. And, you know, we do alter ourselves in the way we face the world — words and demeanor. So why especially recoil when the altering is done by knife? Anyway, I'm not of the age or gender or profession to suffer negative consequences from refusing plastic surgery. Whereas I've read (though what I read was unsourced) that some K-pop contracts give agencies the right to force female trainees to "alter [their] look or image if necessary," presumably with a scalpel.

Here're Brown Eyed Girls, pushing back at the antis:



I'm not dead sure how to interpret this. Plastic surgery is here, it's real, we've probably done it ourselves, deal with it. There's aggression in the skit, but not necessarily a clear target, or a clear reason for the laughter. The issue causes discomfort; you milk the discomfort for comedy. This YouTube comment probably comes close:

This is just awesome and right on the spot. I can't [get] with men (society in general) who hate 'ugly' girls but criticize those who do plastic surgery or even put on make up! Not everybody naturally fits beauty standards, so fuck you.
Grimes' Vanessa )

Brown Eyed Girls' Abracadabra )

h/t Mat
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Reading Leonard Pierce on Gun Crazy, I recalled that, for reasons unknown, the video for Infinite's "Be Mine" includes inserts from that violent movie, as well as noir atmosphere that has little to do with the lyrics — Eng. Trans. gives us a song about a girl who's hurting and a narrator guy who promises to protect her, if she'll be his: "Be mine, I will love you/I will worry about you/I will take care of you until the end"; maybe the videomakers felt that songs and groups like this need a menacing and violent correlative to the teenage feelings that the lyrics barely express. Paraphrasing Leonard, to a song dripping with good intentions, the video adds blood.



Leonard is posting about noir all month (on his Website and mirrored on his livejournal): noir novels, noir movies, noir nonfiction. I highly recommend it, not just the writeups but for what he's writing about. Noir was the garage rock of '40s and '50s Hollywood, but the product of workaday directors, writers, and cinematographers, practicing their trade on sidelots and low budgets, churning out disasters day by day in light and shadow, what an audience wanted.
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Not at all clear yet as to what I'm hearing when I listen to the new 2NE1 single. I express my confusion over at the Jukebox. Can't say I'm able to pick out the non-Western sounds the band are talking about in interviews* (trot, enka). Sounds like R&B-based dance-pop to me, but pushed into interestingly disparate melodic sections. But then, I'm not educated in Korean forms. Maybe you can help.



*At allkpop and kpopstarz.
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While searching "Oscar song meanings," I incidentally found this thread where non-Koreans talk about how they discovered K-pop and why they love it.

"I'm just wondering...... I see many people who aren't Korean listening to Kpop.

"How did you find out and learn about kpop?
"Why do you love it?
"What is your ethnicity/nationality?
"What are your favorite groups and why? What are your favorite songs and why?"
"Do you prefer boy groups over girl groups or both?"

http://answers.yahoo.com/question/index?qid=20120412182534AAbtXrF

I don't think nationality matters at all because puppies of all countries listen to kpop. A norwegian puppy or a belizean puppy - they all love it! I'm central european, now living in Phnom Penh where local khmer kids dance to kpop in parks. Few nights ago they were swaying their hips to Abracadabra :D
Three people like that the groups don't have to sing about sex, money, and drugs.

Favorite meta, best food reference, most emblematic authenticity argument )
Anyone reading this can answer in the comments, if you'd like, even if you are Korean. How does one define "Non-Korean" anyway? I'd say that I'm non-Ukrainian, non-Belarussian, non-Russian, non-Polish, non-Austrian, nonshtetl, non-European, non-Yiddish, etc., though I could claim all those ethnicities (or whatever) under certain circumstances. By the way, the first-released (though unauthorized) version of "Tell Me Your Wish (Genie)" was not by SNSD but by an Uzbek. Not that Uzbekistan is anywhere near the Ukraine. But it's closer to the Ukraine than to Korea.

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I must say, YouTube search results for "velvet underground sister ray dance cover" were a great disappointment, due to the complete lack of dancing.

infinite be mine dance cover more rewarding )
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 photo fat cat edited 2.png


Fat Cat and CL wiggle their way into the Top 10, producers/writers SweeTune give us Nine Muses' "Figaro" and Infinite's "Be Mine," and somewhere on here there's something new I added that isn't Korean, maybe down around 60:

Singles through September 30:

1. Britney Spears "Hold It Against Me"
2. Jeremih ft. 40 Cent "Down On Me"
3. GD&TOP "High High"
4. 2NE1 "I Am The Best"



5. Galaxy Dream ft. Turbotronic "Ready 4or Romance"
6. IU "The Story Only I Didn't Know"
7. Bobby Brackins ft. Dev "A1"
8. Big Bang "Tonight"
9. SNSD "Bad Girl"
10. Fat Cat "My Love Bitch" [EDIT: the most common translation of "내사랑 싸가지" turns out to be "My Love Bad Boy," so that's what I'm now reluctantly going with]


(But the camera person was too reticent, so you'll need to go here [EDIT: where it's called "Indifferent Love]," for a better view of Fat Cat ticking her tush like a clock.)

11 through 73 )

technical note )

2NE1 Uncertainty Principle )
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Over on the Singles Jukebox, Dal★Shabet's "Bling Bling" scores high on the controversy index and not bad in the overall ratings. I marked it on the low end, and I might have been overpraising it at 6. Thing feels barren to me, even with hooks heaped high.



A better Dal★Shabet track is "매력덩어리" (title translates as "Very Charming" or "Charming Bomb" or "Hottie"); better E-Tribe–produced tracks than either of those are Lee Hyori's "U Go Girl," T-ara's "Ya Ya Ya," and of course SNSD's "Gee." And this summer's best neodisco track is T-ara's "Roly-Poly."

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