I'm reposting my country critics ballot, since I'd originally put it under flock so that Geoff could have first shot at my comments for the
Nashville Scene's poll issue.
That's up now - Ashley Monroe made the top twenty! - so here this is again, for the lurkers. I thought Geoff ducked my most interesting contentions, in the bit he posted of mine, but I guess he took what was most easily excerptible, my description of Taylor Swift's voice and my cheers for her recording studio.
Down in my comments I'm responding to
Geoff's contention in last year's poll writeup, "Suburban teenagers need their own bards who can work the established themes and techniques of pop-rock into something new. But small-town, divorced, blue-collar wastrels also deserve their own bards who can draw from a hillbilly history of song-making. All music grows out of the past, and if we refuse to distinguish one lineage from another, the discussion of new music becomes hopelessly muddied. Swift is a great artist, but it's not clear that she's a great country artist." And at the end I'm responding to
his assertion two years ago that we critics were voting Miranda Lambert over Carrie Underwood because, unlike the majority of record buyers, we shun reassurance and instead want our assumptions challenged and want to hear something we don't already know.
Oh, and since filling out this ballot I made up
my Country Top 35, and you'll notice I had some changes of mind.
( ballot )( comments )