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American Idol is good to Carrie, Randy, and Brad, while Wayne unwinds and Flo Rida goes searching for game.

Carrie Underwood f. Randy Travis "I Told You So": Yes, Randy wrote this and went number one country with it back in the '80s, but it doesn't make sense as a duet. It's an internal argument, a mind facing off against itself and expecting the worst, and Carrie sang the argument well on her own, singing the longing and singing the self-accusation. Enough remains in this version to merit a tick, and I can see the commercial sense of adding Randy, but Carrie's solo version is the one to hear. TICK.

Flo Rida f. Wynter "Sugar": He takes the round syllables of "Blue (Da Ba Dee)" and squashes them flat. What's he going to destroy next? NO TICK.

Ciara f. Justin Timberlake "Love Sex Magic": The spare tension of 1980-style reduced funk, made sleeker for the '00s. When Justin enters halfway in his sound is too rich for what 'til then had been a taut track. Not sure if Ciara could have pulled this off even without distractions, but I'd have liked to have heard her try, which means that where she was alone in the first half there was enough steady pressure in her singing for it to worm its way into me. BORDERLINE TICK.

Lil Wayne "Hot Revolver": Once again I'm floored, I'm flabbergasted, I'm baffled. AutoTune is a pretext for Wayne to mumble, to barely wipe the words with his gums. The track is incoherent: there's Wayne singing a Green Day lyric near the start, then there's a fractured sing-along by Dre of Cool & Dre, then Wayne goes into discursive talking that isn't rapping, and then he swallows those words and returns to AutoTune. Very strange, but I think Wayne pulls it off. Or at least I'm not ready to say he doesn't. TICK.

Brad Paisley "Them": Sentimental song about his ever-growing love for his woman. You never can accuse this guy of oversinging, but here he's just plain indadequate. NO TICK.

Date: 2009-03-27 10:04 am (UTC)
From: [identity profile] alexmacpherson.livejournal.com
I think Justin's great on 'Love Sex Magic' - it's a FS/LS knock-off, sure, but crucially it's FS/LS with Justin's ego, which made that album pall for me in the end, kept in control. (I mean, not his "I'm hot" ego, that whole "I am making an Important Pop Album" ego. He's free to just be his sexy self here.) (Yes, at least half the reason I love the song is the line "if you wanna grab my neck, talk sexy to me like that" - YES PLEASE JUSTIN.) (Also, we can mock Ciara all we like for desperately scrabbling around a grab-bag of sounds for a hit, and it'd be legit, but it appears to be...working for her! If this kickstarts the Fantasy Ride campaign properly, it'll have done it's job. Like 'Turnin' Me On' did for In A Perfect World.)

I mean, obviously what Ciara needs to do now is release

1) 'Echo'
2) 'High Price'
3) 'Work'

And we'll have had an album campaign to be proud of.

Date: 2009-03-27 10:05 am (UTC)
From: [identity profile] alexmacpherson.livejournal.com
As for Flo Rida, I think it's more the Europop ruining him (and he wasn't especially great to start with). I HAAAATE that Eiffel 65 song so much.

As for Lil' Wayne, I am really just endeavouring to pretend that this entire atrocity of a project doesn't exist - am now v thankful that the UK is ignoring him.

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Frank Kogan

July 2025

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