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Was going to use the title "Trap Hegemony And The Italotrot Question" because I knew it would make Chuck Eddy smile; but I decided "Where 'Galaxy,' naturally enough, means 'Italo'"* was funnier, though maybe David Frazer will be the only one to smile. David's the person who came up with the genre title "Italotrot" to describe Hong Jinyoung's "Love Tonight." I wouldn't say that "Love Tonight" poses a deep question, really: But why is it this song, a trot song — as opposed to, for instance, a K-pop song ("trot" being Official Old Person's Dance Music in Korea**) — that's pulling into itself deliriously catchy freestyle and Italodisco riffs, as if to declare that being trot is no barrier to incorporating any coin and color that makes Frank Kogan feel good? I mean, this is something K-pop itself used to be so good at, insinuating disco and freestyle and Italopop into itself without making a fuss over it or sounding the least bit retro. K-pop still pulls in music left-hand, right-hand, and back-hand, but it's more of a drag these days. See quasi essay below the list.

In the video Jinyoung turns into a cat, or a cat turns into her. —Yes, T-ara did that too, and so I'm sure have many others, that's what comment threads are for if you're so inclined. (Inclined to tell us of other performers who've turned into cats, that is; not inclined to turn into a cat yourself.)

From China, meanwhile, Rocket Girls 101 "Galaxy Disco," where "Galaxy," naturally enough, means "Italo":



Sounds just like the music on Italodisco comps out of Singapore and Hong Kong that populated the three-for-a-dollar cassette bins in SF's Chinatown back in the '80s and '90s. I'd assumed then that most of the music was produced originally in Italy or Germany (with input from Miami and Toronto and Montreal: Tapps and Lime were all over those stores, Tapps with not-quite-so-cheap compilations of their own), but there'd be remixes and mashups and stuff — an impressive version of "Chirpy Chirpy Cheep Cheep" that in a later day would have been screwed and chopped but this used amphetamines rather than cough syrup — and uncredited performers and unknown vocalists, and I was guessing or hoping that some of the talent was Asian. Anyway, "Galaxy Disco" sounds so much like that stuff*** that I wonder if it's actually a cover. It's so familiar. The sound is spot-on, from the reed-thin riffs to the dental-floss vocals.

Of course, most of what's coming is hip-hop, the so-called trap hegemony of my rejected title: though the list itself — here it is! a playlist followed by the list itself, and more commentary below the cut — starts with gqom [UPDATE: now song 3 on the playlist], which is generally considered more a derivative of house.



1. Heavy-K x Moonchild Sanelly "Yebo Mama"
2. Bhad Bhabie ft. Tory Lanez "Babyface Savage"
3. Jvcki Wai, Young B, Osshun Gum, Han Yo Han "Dding"
4. Hong Jinyoung "Love Tonight"
5. Lil Pump "Butterfly Doors"
6. A Boogie Wit Da Hoodie "Look Back At It"



7. DALsooobin "Katchup"
8. Gasmilla ft. Mr Eazi "K33SHI"
9. Loopy&nafla "Ice King"
10. Marilina Bertoldi "O No?"
11. Rich The Kid "4 Phones"
12. Gunna "Big Shot"



13. KeshYou "Уят емес"
14. Kim Bo Kyung "It's Not Discarded"
15. Lil Pump ft. Lil Wayne "Be Like Me"
16. Gasmilla ft. Kwamz & Flava "Charle Man"
17. Solange "Binz"
18. Brooks & Dunn ft. Luke Combs "Brand New Man"
19. Kidd Kenn "'Next Song' Freestyle"


[UPDATE: Kidd Kenn's "Next Song freestyle" was deleted from YouTube - fortunately, Marcus Life does a reaction vid where he plays the whole thing starting at about 2:07, pretty good fidelity with only a bit of bkgd sound from Marcus.]

20. Rema "Iron Man"
21. Sofi Tukker "Fantasy"
22. Rocket Girls 101 "Galaxy Disco"
23. Bad Bunny "Solo De Mi"
24. Blueface ft. YG "Thotiana (Remix)"

Trap hegemony, shining asteroids, wild world, boom and doom )

Hong Jinyoung "Love Tonight"


Heavy-K x Moonchild Sanelly "Yebo Mama"


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Chuck Eddy sent me his Pazz & Jop and his Country Critics ballot early last month (which I've reprinted down in the comments along with shitloads of other stuff from Chuck and other people's lists). I actually had no idea there still was a Pazz & Jop. I'm not commenting on the results because I haven't read them yet — still — but here are my Freaky Trigger Readers' Poll ballot and my ILM tracks ballot. Haven't looked at ILM results yet either, but here's the link; here's the link to the ILM album results, though I didn't vote in the album poll. Here are the four links to the Freaky Trigger results rollout: link, link, link, and link.

These were both "tracks" polls, so I included singles and nonsingles.* For the ILM poll you vote for tracks that are nominated; anyone can nominate a total of 30 albums and tracks, split however you want (say, 29 tracks and 1 album), but I always nominate very few so that I'll vote for/pay attention to stuff that at least some other people are plumping for. My two nominees this year were Kidd Kenn's "Slide Remix" and KeshYou & Baller's "Swala La La." The deadlines for the two polls were three-and-a-half weeks apart (Dec. 31 for Freaky Trigger, January 25 for ILM); sharp eyes will notice that I keep changing my mind on the relative merits of the Kidd Kenn, the Cassie, and the KeshYou & Baller.

*My 2018 top 100 or so singles playlist is still ongoing, if you want to take a look at its current makeup; and in late December I finally posted my Top 100 Singles And Commentary for 2017, where in the comments we talk about 2018 and 2019 too (esp. Jvcki Wai, who's like a 16-year-old just discovering anarchy and the joys of anticlericism, which is pretty appealing even though she's 22).

My ILM's 2018 End of Year Tracks Ballot

Kidd Kenn - Slide Remix
Cassie - Don't Play It Safe
KeshYou & Baller - Swala La La
bhad bhabie ft. lil yachty - gucci flip flops
Cardi B - Be Careful
Valee ft. Jeremih - Womp Womp
Niniola - Saro
Bali Baby - Backseat
Cardi B ft. Bad Bunny & J Balvin - I Like It
Bích Phương - Bùa Yêu
blocboy JB ft. drake - look alive
Dladla Mshunqisi ft. Nokwazi & Prince Kaybee - Wangibamba
Tropical Fuck Storm – Rubber Bullies
DaniLeigh - Lil Bebe
LOOΠΔ/Olivia Hye ft. JinSoul - Egoist
Doja Cat - Go To Town
NCT U - Baby Don't Stop
Wande Coal - So Mi So
Vince Staples - FUN!
Lil Kesh - Apa Mi
MEUTE - You & Me (Flume Remix)
Tropical Fuck Storm - Chameleon Paint
Panic! At the Disco - High Hopes
Lady Leshurr - RIP
City Girls - I'll Take Your Man

My Freaky Trigger Readers' Poll Ballot 2018

1. Lil Pump "i Shyne"**
2. Bhad Bhabie ft. MadeinTYO, Rich The Kid, Asian Doll "Hi Bich (Remix)"
3. Cassie "Don't Play It Safe"
4. Franko "La remontada (Freestyle)"
5. Ninety One "Ah!Yah!Ma!"
6. KeshYou & Baller "Swala La La"
7. Kidd Kenn "Slide Remix"
8. Fairies "HEY HEY ~Light Me Up~"
9. Zulu Mkhathini ft. DJ Tira "Uniform"
10. 6ix9ine "Billy"
11. Bhad Bhabie "Thot Opps (Clout Drop) / Bout That"
12. Bhad Bhabie ft. Lil Yachty "Gucci Flip Flops"
13. 6ix9ine "Mooky"
14. Sheck Wes "Do That"
15. Cardi B "Be Careful"
16. Niniola "Saro"
17. A$AP Rocky ft. FKA twigs "Fukk Sleep"
18. Crowd Kontroller ft. Niniola "Bambam"
19. Cardi B, Bad Bunny & J. Balvin "I Like It"
20. Bali Baby "Backseat"

Despite not looking at P&J and ILM results yet, I will say that by one definition of "pop" — poppy-sounding stuff that's popular or at least semi-popular — Anglo-American pop these days is worse than at any other time in my life and has been for a decade (though maybe the earlier part of the decade qualifies as another time in my life; I don't know). But by another definition of "pop" — stuff in styles that are popular from all over the place, especially including hip-hop — pop is doing great, even in Anglo-America, and even with K-pop having an off-year. Anyway, I won't elaborate on these opinions just yet. Robyn is worse. Ashlee is worse. But neither is particularly representative of what I mean. As for my lists, the Bhad Bhabie I have as number two for Freaky Trigger is a remix of a track I liked even better last year but only had as number ten (though it made it up to number five when I eventually closed my 2017 singles list); so the top of my list may not be up to the top of last year's list but I assure you my number 100 will be way better than last year's number 100. Lots of really interesting stuff from all over. Very little I vote for or listen to represents my sensibility, owing to people culturally like me having stopped making good music around 1980, so in mucking about the world on YouTube I always feel like an outsider. But I'm sure my lists still manage to represent my attitudinal footprint in some way, "the sort of stuff I get taken by" or something, even if I don't feel at home in the musical worlds that are generated and depicted.

Chuck and I overlap on Bhad Bhabie, Bali Baby, City Girls, and Mylène Farmer, 50% of whom are baby.***



**I probably should've credited this to "Lil Pump and Carnage."

***Well, Dev now too but I hadn't heard "Rock On It" until he listed it. It's yet another year with Cassie, Dev, and K-pop.
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I finished this list mid February, then was beset by various blocks and distractions and by thinking I had to write something good, also that I'd waited and dithered just as long on the 2016 list. "At least I won't be as late as I was last year." And now I'm later.

And it feels like a different world: Over the past ten months American hip-hop became central for me again, so I'm wrestling again with and against a lot of tough talk, some of it atrociously retrogressive and seemingly stupid* but obviously I'm not ready to dismiss it or I wouldn't be wrestling. Anyway, if I were doing this list now Playboi Carti's "Magnolia" would be top ten. But I'm not doing it now.

Haley Georgia's "Becky" sounds as natural as exhaling — I can imagine someone coming across it unschooled and unaware and thinking it's in a genre that could do anything and go anywhere, make a song out of any old thing. And I don't know that this isn't true — I haven't been listening much to country this decade — but my sense of country is that it's the opposite: it's like trying to walk through grass-flavored cement. —Haley's subsequent EP, First Rodeo, from this year, 2018, may not totally shut the door on her promise, but doesn't renew the promise either, nothing like "Becky"'s skipping along from slide to single-note celebrations to conjuring David Essex out of thin air. I wonder where she can go for camaraderie and support. Too bad there's no Bali Baby for her in country to splash around with her and shoot stars every which way.

Lil Debbie did a duet with Bali Baby this year and it was Debbie sounding stuck in cement. Pondering Lil Debbie's "F That" as my 2017 number one, it seems kind of cute, the toughness so bogus — except when I listen it's still locked-in power, no matter how stiff Debbie is and unnatural in the idiom — I know that's a cliché, to call the white woman in hip-hop "stiff," but in this instance it's true and on this track doesn't hurt the music (white Bhad Bhabie's not at all stiff, but I'd still rate Bhabie's "Hi Bich" 5th to Debbie's "F That" at 1).

Here's the YouTube playlist, top singles 2017, and the list below, and more commentary at the end of that. I think the music's worth several hours, if you've got 'em. Beauty and surprise:



1. Lil Debbie "F That"
2. Jovi "Ou Même"
3. MC G15 "Deu Onda"
4. Haley Georgia "Becky" [UPDATE:"Becky" has been wiped off the public Internet with the exception of this 18-second clip Haley posted on Twitter, August 2017]
5. Bhad Bhabie "Hi Bich / Whachu Know"
6. LOOΠΔ/Yves "new"



7. Ninety One "Su Asty"
8. Miso "KKPP"
9. Scooter "Bora Bora Bora"
10. Omar Souleyman "Ya Bnayya"
11. Bhad Bhabie "Cash Me Outside (DJ Suede Remix)"



12. Omar Souleyman "Chobi"
13. Pocket Girls "Oppa Is Trash"
14. BTS "Go Go (고민보다 Go)"
15. NCT 127 "Limitless"
16. CLC "Hobgoblin"
17. Juan LaFonta ft. Big Freedia "Bounce TV"
18. Koppo "Gromologie"
19. Pristin "Wee Woo"
20. Hyolyn x Kisum "Fruity"
21 through 100: Cherry Coke to Mink's )

Commentary: LOOΠΔ/Yves, Zhonti, Tenor, Kenji Minogue, Leningrad, Hyolyn, NCT, Mozee Montana, Playboi Carti )

[UPDATE: I'd embedded Haley Georgia's "Becky" here, but since then not only did the embed go dark, but a quick search suggests that the track has disappeared from the Internet, not streamed, not available for download, can't be ordered physically; all I can find is this snippet:



Web searches do turn up mocking commentary from some dried-up fartbags, but other than that, nada.]

Notes )

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