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koganbotHyunA is my artist of the year for 2016, but Wonder Girls also had a couple of excellent singles, and since they've now disbanded it's my last chance for them. Hence the dual award. (I'm in the habit of doing this every June, except when it slips to July, or in this case August. And my 2016 singles list still needs to go up.)
Wonder Girls "Why So Lonely" (2016)
It seems to me Wonder Girls were in great shape to go forward, though I don't know anything about their relations with one another or with their agency, JYP.* Their recent concept as a "band" may have been something of a gimmick, each member playing an instrument. But they were also all involved in writing and producing the new stuff, as good as anything JYP had provided them earlier. And not only was it good, it managed to mix in adult-like stylings, loungey and breathy and jazzy, without losing its danciness or its lightheartedness. And, while not as radical as Oh My Girl's juxtapositions with similar material, it was as good as that, too. Like K-pop as a whole, Wonder Girls were excellent at working in and playing around with decades and decades of Western dance-pop styles — hip-hop and r&b and synthpop and disco and soul and girl group — without sounding anything less than contemporary. And when Wonder Girls went explicitly retro they still weren't retro. I'll miss them.
Also, Wonder Girls were my first K-pop group: the first I heard and the first I posted about. Not because I knew anything about them, or about K-pop; didn't even know there was such a thing. I'd long been playing with the idea of the dependence of foreground — what you do — on background, on what your collaborators do, on what the rest of the world does, or what it leaves blank, what shores you up and highlights you and sets you off, what differentiates you from the rest and the rest from you, your light and their shadow and their light and your shadow, how they create you and demolish you and you create them and demolish them, everything potentially twisting everything inside out. This has been kind of my ongoing thesis and masterpiece, my most high-profile version focusing on the Rolling Stones and James Brown. One day in 2009 I read a UPI squib about a Korean girl group as the opening act on a Jonas Brothers' American tour. Out of curiosity I searched YouTube and lo and behold, there was the Wonder Girls video for "Nobody" with Park Jin-young (JYP) doing a gag as a James Brown wannabe who gets displaced by his background singers. So I posted under the title "Background Becomes Foreground," and anhh andpetronia showed up in the comments and began my K-pop schooling.
Wonder Girls "Like This" (2012)
Wonder Girls "So Hot" (2008)
As for HyunA, she's long been appealing as the friendly sex-bomb next door, humorous and emotional and emotionally accessible, donning sexiness as a kind of plaything, enjoying stardom and playing chicken with the censors while being fundamentally unpretentious. I liked how she put herself at an angle from the K-pop work ethic. She was powerfully fun without needing super dance chops or technically impressive rap displays. What I wasn't expecting was the raw power of her singles from the last three years, especially "Red" and "How's This?" but "Roll Deep" and 4Minute's "Crazy" belong there too. They basically rock the fuck out of the joint. A lot may have to do with the whole writing and arranging crew on these, some or all of HyunA herself, Seo Jae-woo, Big Ssancho, and Son Young-jin. Her sexy pout may not be any stronger than it ever was, but it's now the riveting center of music that no longer just tickles or seduces you but knocks you over, too. Or knocks me over, anyway. ("How's This?" isn't streaming at the amount of the others, none of which are as high as 2011's "Bubble Pop!")** And she's becoming a template for other acts: CLC and Miso.
HyunA "How's This?" (2016)
Btw, if you want to, you can see a bit of a shadow side in all of this, all her sex and dance invitations: there's the question of whether anyone really has it in themselves to run with her. I think Jessica Doyle way overstates this at the Jukebox, the loneliness, but she does a great bit of analysis, and she's right, it's there. Mo Kim sees it too: "HyunA registers 'How's this?' less as a coy request than as a taunt: she's daring us to keep up. Read that as fun, or sad, or somewhere in between..." Of course you can hear it as bragging, too. "I'll be a wolf forever, or I can live alone." (Here's an EngSub vid for "How's This?" You can find 'em for most of her songs, and find most of her lyrics translated at pop!gasa as well.) After School stated this duality succinctly at the start of "Bang!" one of my primary K-pop tracks: "T-R-Y Do it now! Can you follow me? Yes, uh-huh. T-R-Y Pick it up! You'll never catch me. Oh no." 'Cause if you get too close, I'm gone like a cool breeze.
HyunA "Red" (2014)
4Minute "Hot Issue" (2009) (She's just a member of the ensemble on this one, but it's my favorite 4Minute song)
Back to Wonder Girls. Their excellent rapper, Yubin, didn't join until most of their first album had been recorded. Their original rapper who'd just turned fifteen was (says Wikip) "removed by her parents due to their concern over her health — in particular, chronic gastroenteritis and fainting spells." This original rapper, of course, was HyunA.
Wonder Girls "Irony" (2007)
*Two of Wonder Girls remaining four members, Yueeun and Sunmi, didn't come to terms in renegotiating with JYP. Maybe Wonder Girls will separately maintain their high profiles. Lee Hyori and Brown Eyed Girls and Jay Park have shown how performers can keep going into their late twenties and thirties as stars in K-pop. But that's pretty rare. Wonder Girls were popular till the end. Fingers crossed that as individuals they don't lose their audience, or die in adult styles.
**The "Gangnam Style" remix obviously is a different category of fame, most of which hasn't transferred to her.
Wonder Girls "Why So Lonely" (2016)
It seems to me Wonder Girls were in great shape to go forward, though I don't know anything about their relations with one another or with their agency, JYP.* Their recent concept as a "band" may have been something of a gimmick, each member playing an instrument. But they were also all involved in writing and producing the new stuff, as good as anything JYP had provided them earlier. And not only was it good, it managed to mix in adult-like stylings, loungey and breathy and jazzy, without losing its danciness or its lightheartedness. And, while not as radical as Oh My Girl's juxtapositions with similar material, it was as good as that, too. Like K-pop as a whole, Wonder Girls were excellent at working in and playing around with decades and decades of Western dance-pop styles — hip-hop and r&b and synthpop and disco and soul and girl group — without sounding anything less than contemporary. And when Wonder Girls went explicitly retro they still weren't retro. I'll miss them.
Also, Wonder Girls were my first K-pop group: the first I heard and the first I posted about. Not because I knew anything about them, or about K-pop; didn't even know there was such a thing. I'd long been playing with the idea of the dependence of foreground — what you do — on background, on what your collaborators do, on what the rest of the world does, or what it leaves blank, what shores you up and highlights you and sets you off, what differentiates you from the rest and the rest from you, your light and their shadow and their light and your shadow, how they create you and demolish you and you create them and demolish them, everything potentially twisting everything inside out. This has been kind of my ongoing thesis and masterpiece, my most high-profile version focusing on the Rolling Stones and James Brown. One day in 2009 I read a UPI squib about a Korean girl group as the opening act on a Jonas Brothers' American tour. Out of curiosity I searched YouTube and lo and behold, there was the Wonder Girls video for "Nobody" with Park Jin-young (JYP) doing a gag as a James Brown wannabe who gets displaced by his background singers. So I posted under the title "Background Becomes Foreground," and anhh and
petronia showed up in the comments and began my K-pop schooling.Wonder Girls "Like This" (2012)
Wonder Girls "So Hot" (2008)
As for HyunA, she's long been appealing as the friendly sex-bomb next door, humorous and emotional and emotionally accessible, donning sexiness as a kind of plaything, enjoying stardom and playing chicken with the censors while being fundamentally unpretentious. I liked how she put herself at an angle from the K-pop work ethic. She was powerfully fun without needing super dance chops or technically impressive rap displays. What I wasn't expecting was the raw power of her singles from the last three years, especially "Red" and "How's This?" but "Roll Deep" and 4Minute's "Crazy" belong there too. They basically rock the fuck out of the joint. A lot may have to do with the whole writing and arranging crew on these, some or all of HyunA herself, Seo Jae-woo, Big Ssancho, and Son Young-jin. Her sexy pout may not be any stronger than it ever was, but it's now the riveting center of music that no longer just tickles or seduces you but knocks you over, too. Or knocks me over, anyway. ("How's This?" isn't streaming at the amount of the others, none of which are as high as 2011's "Bubble Pop!")** And she's becoming a template for other acts: CLC and Miso.
HyunA "How's This?" (2016)
Btw, if you want to, you can see a bit of a shadow side in all of this, all her sex and dance invitations: there's the question of whether anyone really has it in themselves to run with her. I think Jessica Doyle way overstates this at the Jukebox, the loneliness, but she does a great bit of analysis, and she's right, it's there. Mo Kim sees it too: "HyunA registers 'How's this?' less as a coy request than as a taunt: she's daring us to keep up. Read that as fun, or sad, or somewhere in between..." Of course you can hear it as bragging, too. "I'll be a wolf forever, or I can live alone." (Here's an EngSub vid for "How's This?" You can find 'em for most of her songs, and find most of her lyrics translated at pop!gasa as well.) After School stated this duality succinctly at the start of "Bang!" one of my primary K-pop tracks: "T-R-Y Do it now! Can you follow me? Yes, uh-huh. T-R-Y Pick it up! You'll never catch me. Oh no." 'Cause if you get too close, I'm gone like a cool breeze.
HyunA "Red" (2014)
4Minute "Hot Issue" (2009) (She's just a member of the ensemble on this one, but it's my favorite 4Minute song)
Back to Wonder Girls. Their excellent rapper, Yubin, didn't join until most of their first album had been recorded. Their original rapper who'd just turned fifteen was (says Wikip) "removed by her parents due to their concern over her health — in particular, chronic gastroenteritis and fainting spells." This original rapper, of course, was HyunA.
Wonder Girls "Irony" (2007)
*Two of Wonder Girls remaining four members, Yueeun and Sunmi, didn't come to terms in renegotiating with JYP. Maybe Wonder Girls will separately maintain their high profiles. Lee Hyori and Brown Eyed Girls and Jay Park have shown how performers can keep going into their late twenties and thirties as stars in K-pop. But that's pretty rare. Wonder Girls were popular till the end. Fingers crossed that as individuals they don't lose their audience, or die in adult styles.
**The "Gangnam Style" remix obviously is a different category of fame, most of which hasn't transferred to her.
no subject
Date: 2017-08-03 09:00 pm (UTC)(also: had not thought about the loneliness, or rather the self-described isolation, as bragging. also also: since the words "Hyuna" and "taunt" have come together I cannot help but refer to "Volume Up," in case somewhere there is a poor unfortunate soul who has not heard "Volume Up.")
no subject
Date: 2017-08-04 09:15 pm (UTC)The "Run & Run" lyrics and video get this bifurcation perfectly. I hadn't known until a couple of days ago that there was a promo vid for that song. Just posted about it now.
["Volume Up" link for those less fortunate than ourselves.]
no subject
Date: 2017-08-04 09:25 pm (UTC)