koganbot: (Default)
[personal profile] koganbot
So many days, so few posts.

Look, I'm really a comment-thread guy more than a blog guy, but making supposedly correct triage decisions not to engage in various Tumblr, Facebook, Twitter, etc. convos has left me w/out much public presence, while creating a lot of "notes" for posts here I should "write."

Not in the order they will, could, might, or won't appear:

--Grand opening for the hallway-classroom link and tag. I created them several months ago but have so far never properly introduced or promoted them. Perhaps there will be a banner and balloons.

--Tribal 2, the strong reasons people probably have for using the term "tribal" in a positive sense, like, regarding themselves even (which still doesn't mean you should use the word if you intend to engage in actual for real smart thinking, esp. pertaining to current political and social grouping(s)).

--Tribal 3, the strong reasons people like Paul Krugman, Brad DeLong, Ezra Klein, and a vast ever-multiplying et al. including probably you use the term "tribal" as a pejorative to denote one of the many things that fuck up and make stupid the current political etc. discourse (which still doesn't mean you or Krugman, DeLong, Klein, et al. should use the word if you intend to engage in actual for real smart thinking regarding current political and social grouping(s)). Paraphrases Upton Sinclair.

--Dead Lester 3. Yes, everyone is clamoring for this. </sarcasm>

--Dead Lester 4. One of the Dead Lester posts will be about why I think Paul Nelson never adequately responded to Irwin Silber. This post will be better received than the other one.

--Replication, in regard to understanding the utterances etc. of human beings other than oneself and perhaps other than yourself, too. This will be fun, I hope. It may refer back to the Mark Sinker adjunct thread that for a couple of years now I've been promising to add more to. The post may or may not refer to The Crisis Of Replication in the so-called social sciences, though that part of the post may be less fun.

--HyunA.

--Oh My Girl wtf. ("Windy Day.")

--Cahiers du Cinema, Manny Farber. This post will not be as interesting as you were anticipating.

--Who is our most distant animal relative? This post will not answer the posed question, instead will be a meta meditation on taking sides, developing a rooting interest, etc., in which I will try to endeavor not to take sides or root for anything, except maybe will root for rooting and for taking sides, despite my failure to take sides, or root, in the post, unless I do take sides.

--That political discourse appears to batter through, demolish, and utterly flatten the wall between hallway and classroom while being the stupidest, most screwed-up, and destructive discourse in the world would seem to create a challenge to my assertion that (e.g.) rockcrits are being audacious and intellectually strong in not honoring the boundary between hallway and classroom. (The previous sentence leans heavily on the phrases "appears to" and "would seem to.")

--Is there a way for mathematics to finally click for me so that I might someday actually get it and enjoy it? (See the middle of Dave's post, here.)

--Yardbirds raveups.

--Bob Dylan's "Maggie's Farm." (Inspired by Edd Hurt's excellent comments on the "Antirockism Is Rockism" thread.)

--Interesting that Mark says "even the Ramones" (all bands being coalitions) given that the Ramones may be the epitome of a Bowie-Roxy-like "Oh oh oh, look look look, see the disparate elements we are combining," e.g., "See us do power chords with Ronettes melodies" and "Watch us do Dylan existential angst as if it's standard teen heartbreak" or "Watch us do Stones confronting-the-inner-fascist as dumb three-chord la-la-la" etc. etc. (This is a passage from a 4,000-word, rambling, very poorly integrated email I wrote and never sent because I hadn't finished it or remotely come close to figuring out what I was saying; perhaps a readable 1,500 words can be extracted from this. Potentially featuring Earth, Wind & Fire and the Pointer Sisters, who actually appear on a Kantner-Slick song.)

--Is "Only The Good Bits" as bad as "Too Many Bad Bits"? (Perhaps in regard to Paul Morley, and perhaps a continuation of PBS Revisited.)

--Why do we remember the past but not the future?

--Truffaut and Kogan (more of PBS Revisited).

--Wittgenstein doesn't buy into the dichotomy between particulars and universals. (This probably can be applied to the replication thing, now that I think about it.)

--Copernicus.

--I'm a comment-thread guy. I practically invented the comment thread. So why are even the good comment threads so killingly mediocre? Why is the Internet such a disappointment?

Date: 2016-08-16 01:39 am (UTC)
From: [identity profile] belecrivain.livejournal.com
Oh My Girl wtf
*rolls up sleeves, spits on palms* I AM HERE

In all fairness, in terms of actual replays, it's been "Liar Liar" > "Windy Day" > "Closer" over here. Also "Knock Knock," which I put on my older daughter's birthday mix because she's been so fond lately of telling knock-knock jokes, and because I am a sucker for Seunghee in the chorus and Mimi repeating "beautiful."

btw Crayon Pop now have their own V app channel, though I don't know how often they're expected to actually put stuff on there, and I think a comeback is rumored to be happening sometime in the next month or so

I think about the hallway/classroom metaphor sometimes while walking through actual hallways and peeking into actual classrooms (younger daughter can get to the school bathroom by herself after school, and I can let her; that does not mean school staff approves of her wandering around hallways without my direct supervision, post-dismissal) without drawing any actual useful conclusions. yet. Curriculum Night is Thursday.

Date: 2016-08-16 05:28 pm (UTC)
From: [identity profile] belecrivain.livejournal.com
I'm 99% certain the name Oh! My Girl was chosen for the abbreviation. Sadly, their fanname is Miracle, not We The Fans or Loving Out Loud or something along those hoary lines. V app -- not sure what its advantages are as opposed to YouTube; maybe it was developed locally?

Way to go

Date: 2016-09-09 01:44 pm (UTC)
From: [identity profile] davidfrazer.livejournal.com
Here's Crayon Pop's new song “Vroom Vroom”, which was composed by Way and is a pre-release track from their upcoming album. It reminds me a lot of Orange Caramel's Italodisco song "Funny Hunny".

Re: Way to go

Date: 2016-09-09 09:30 pm (UTC)
From: [identity profile] davidfrazer.livejournal.com
P.S. After listening to both songs several times, the production is so similar that composer Cho Young-Soo or someone else who worked on "Funny Hunny" must have produced "Vroom Vroom". The orchestra hit at 0.07 in "Vroom Vroom" is almost the same as...the orchestra hit at 0:07 in "Funny Hunny".

Re: Way to go

Date: 2016-09-11 09:15 am (UTC)
From: [identity profile] davidfrazer.livejournal.com
Credits for "Vroom Vroom" are:
Lyrics by Way, Oh Yoowon
Composed by Way, Yoo Sanggyun, Shoulder Gang
Arranged by Yoo Sanggyun, Shoulder Gang

Shoulder Gang's Instagram tells us that Yoo Sanggyun played synthesizer(s) as well, so it's safe to say he is responsible for the Italodisco texture. Now the only question is whether he had a hand in "Funny Honey".

By the way, here's a clip of Crayon Pop performing "Hey Mister" on a Chinese (?) K-Pop show.

Re: Way to go

Date: 2016-09-22 03:04 pm (UTC)
From: [identity profile] davidfrazer.livejournal.com
The teaser for Doo Doom Chit (the title track) is out, and I hear an Austral-Romanian saxophone.

By the way, the album will have 17 tracks:
Crayon Pop’s official Daum fancafe has updated information on the upcoming comeback. Chrome Entertainment apologizes to fans for the long wait. The full album will be titled Crayon Pop Evolution Vol 1. Including the title song, “Doo Doom Chit”, there will be a total of 17 songs, with 10 of them being new songs while the other 7 being old favorites. The digital release will happen on the night of the 25-26 September, at midnight, 26 September 2016. The physical album will be sold on 26 Sep 2016. The track list will be revealed on a later date.

whom

Date: 2016-08-16 05:48 pm (UTC)
From: [identity profile] skyecaptain.livejournal.com
Was thinking about the decay of Tumblr coming after the decay of standalone blogs (Blogspot, Wordpress) and LiveJournal, and the emergence of Facebook as the new online standard for connecting to likeminded people. It's really frustrating.

As hard as it is to engage in dialogue online (and I think it used to be easier when things were more abstract and text-based -- message board culture, basically), it's REALLY hard on Facebook because everyone has access to things in ways no one can control. I almost never post about anything on my own Facebook feed because it's not just "music people" who will see it -- it's relatives and co-workers and lots of other spheres of life. It has a kind of chilling effect on how deep I'm willing to go.

I think everyone has that kind of mindset when they post on Facebook, which means that what you post is a lot more carefully performative, designed NOT to provoke or deepen or challenge, since doing those things has the potential for lots of unintended or unpredictable consequences that follow you back into your everyday life. It's much more complicated than reading and responding comment thread -- which means that even if you DID have something interesting to say, Facebook is a somewhat awkward place to say it. Pushback, even good-natured pushback, often takes on an unusually personal quality on Facebook.

There are still good comment threads out there. I think Crooked Timber has excellent comment threads for political stuff; for a while individual writers might cultivate good comment communities on their own posts (Ta-Nehisi Coates had a great comment community when he was posting regularly). But the internet trend, and I think it's been in the works for about a decade now, is toward online engagement as an extension of your whole self -- which means that if you don't have a little niche where you can comment in a relatively closed-off community -- likely in one that already existed ten years ago -- you're opening yourself up to *everyone* in your life.

I'm connected via Facebook to people who I know comment intelligently about politics and media education and other topics in niche spaces, and *none* of them bring the same quality of discussion to Facebook. But at the same time, it seems to be getting harder to maintain those niche spaces without it literally seeming like a handful of people hanging out in a room together -- a glorified email chain. (And it's the SAME people, with less and less hope of attracting new eyeballs, since broader reach happens through FB and other social media).

Even in the best circumstances it seems like sustained engagement in comment dialogues is much harder than, say, putting your own writing out there and having more informal responses from other people (likes, shares, minor follow-ups). But the nature of how people actually connect into "dialogue" is making it even harder now than it already was.
Edited Date: 2016-08-17 03:42 pm (UTC)

Re: whom

Date: 2016-09-12 12:50 am (UTC)
From: [identity profile] skyecaptain.livejournal.com
Still mulling over your other posts, but funnily enough was about to come over here and post this very article. Definitely hit my "I don't like doing this on Facebook" buttons.

But I also hesitated to post it -- Facebook has its own problems, but to the extent that there are problems, they aren't problems that the internet (or whatever) has created. That is, the issue isn't really about transparency or privacy, since sure, Facebook might suck, but it isn't the only thing out there, and the advent of the technologies that include Facebook have undeniably created more promise for connection, not less.

Rockcrit has its offline "private" or "non-public" or whatever channels, always has, and the internet has undoubtedly made that process better, probably without any negative "side effects" at all (if the alternative was, like, letter-writing -- you can still do that, too).

I don't know how you could argue that internet communication hasn't improved the ability for one critic to connect with another one, and then a third one, while the first one sees that, too. And it's not like you couldn't have a good intellectual conversation entirely through *email*, say, with a list of a hundred or even a thousand people, and due to the nature of your choice of medium, not feel so "public" about it, if "public" is a problem.

And if you can allow for that part -- that "yes, an email with two or five or a hundred people on it counts as a sustained intellectual conversation," and that it didn't *have* to draw in passersby, say, or set the world to rights by showing everyone the results of that conversation (or something -- is that part of it?), then we're back at your thornier piece of the problem, which isn't just that people won't sustain the conversation, but that they can't.

I mean, I still think that there's some kinda Conversation Meltdown pie chart with:
--"don't know how"
--"know how, but can't because [reasons]"
-- "I thought I was already doing this, but it doesn't really seem to count in Frank's definition -- what are we supposed to be doing again?"

Not sure how big all those slices are. But it's probably true that the "don't know how" slice is the most difficult one -- it's the one where you have to do all that classroomy shit without abiding the classroom/hallway split -- so maybe I'm just focusing on all the easier slices because I just don't want to deal with the hard stuff. (Don't know how to deal with the hard stuff? Maybe.)

I do think reviving posts on this subject will help deal with that third slice, though -- what is everyone supposed to be doing and how is it that they're not doing it already, even when they think they are?

Re: whom

Date: 2016-09-12 01:09 am (UTC)
From: [identity profile] skyecaptain.livejournal.com
I had a thought the other day about "classroomy shit but not The Classroom" -- my students HATE the stuff we do that is the most classroom/hallway-busting (even if it doesn't really accomplish that goal) -- getting into what actually matters to them and letting them do it in the way they want to do it, but expecting some of the rigor they're expected to apply to "the subject matter" even though what we're doing isn't, strictly speaking, "the subject matter." Except to the extent that in the hallway, everything is always the subject already, hence there is no "subject." (Don't really want to mangle up my teaching observations with your metaphorical landscape here. I know that's not always the most productive way to apply it; it's just where my head's usually at.)

What my students usually want to do is pure hallway; but what they believe they SHOULD do, or are supposed to be doing in school, is pure classroom. So first choice: pure hallway. Second choice: pure classroom (this surprised me a little, but it makes sense). Third choice: Dressing up the hallway as the calssroom (as when, e.g., a Jeopardy review game is secretly just an excuse to hoot and holler and gossip and sing and not learn things about what you're supposed to be learning about). Fourth choice: Dressing up the classroom as the hallway (this is just watered-down classroom, and it's usually when students wonder why they can't just pick the hallway or the classroom). I don't know that they really have choices of what they'd like to do in school that doesn't abide classroom/hallway. They don't think that these things should "count" as school.

Employing the practice and deliberation and care that the classroom demands to everything outside of it (*potentially* doing that, anyway -- not that you have to, but that you can and will) is uniquely difficult, I think, when you grew up inside the split.

An imperfect metaphor: when I learned jazz piano, after 15 years of classical training, I was really stuck on how to do it right, since "doing it right" was EASY in classical, was a series of accomplishments achieved with the right practice, more or less. But in jazz you had to do all that technical stuff and also be COOL. You could do everything right, study and practice and all that, and still sound like a dork, still have no hairstyle to show for it. ('Course you needed a hairstyle in classical, too, and I had one. My problem was always with the deliberation and practice, not with the hairstyle. In jazz, my problem was BOTH. I wasn't great at the deliberation and practice, but I also needed a lot more hairstyle to not sound like a goober, and even once I had a hairstyle, people could still make fun of it and they wouldn't be wrong.)

Date: 2016-08-17 03:41 pm (UTC)
From: [identity profile] skyecaptain.livejournal.com
"After much experimentation and discussion, we’ve concluded that the comment sections on NPR.org stories are not providing a useful experience for the vast majority of our users. In order to prioritize and strengthen other ways of building community and engagement with our audience, we will discontinue story-page comments on NPR.org on August 23."

http://www.npr.org/sections/thisisnpr/2016/08/17/490208179/beyond-comments-finding-better-ways-to-connect-with-you

Silber and Nelson

Date: 2016-08-29 12:23 am (UTC)
From: [identity profile] edd-hurt.livejournal.com
Frank, saw a line or two from you about Irwin Silber and Paul Nelson. Silber I know a little about; Nelson I've lately become interested in. If the word "tragic" means anything, it applies to Nelson's strange, solitary life. I don't share his aesthetics, for the most part--Chet Baker, Jackson Browne and Ralph Stanley make for a strange trio--but I do admire his devotion to writing and his obsessiveness,, and his taste in cinema. Is the Nelson-Silber contretemps about Newport '65 and Sing Out? I'm interested in this. I've skimmed Richie Unterberger's interview with Silber, plan to re-read it shortly. --E.H.

Profile

koganbot: (Default)
Frank Kogan

March 2025

S M T W T F S
      1
2345678
9101112131415
1617 1819202122
23242526272829
3031     

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 29th, 2025 03:28 pm
Powered by Dreamwidth Studios