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I like how the rhythm in "Tiny Montgomery" makes itself strong by just digging in and digging further, no moving forward. —The rhythm I'm referring to is mostly Dylan's voice, and the strum strum strum. Bass and the rest are a shuffling swing, I guess. So you can sway back and forth while the song steadily drives you down. A-Plus.

Other than that, I've never "gotten" the Basement Tapes, in either sense of the word. Couldn't stand the Great White Wonder boot when it broke onto FM rock in 1969, and never owned the official album, though I once had it in a stash of a friend's records for a summer, listening to it once, and taping "Tiny Montgomery." In any event, a way into it, if I ever do dig in, might be via Don Allred's Pazz & Jop comments, e.g.,

much enjoy that "Folsom Prison Blues" here sounds like the Band is playing "dum dum dum dum doo wah diddy, talk about the boy from New York City," which totally fits the loose flair of D.'s singing (the convict, still regretful, is also getting cranked up on cellblock cocktails). This performance of "The Bells of Rhymney" starts reminding me of "All Tomorrow's Parties," to the further credit of both songs and their performers, incl. writers.
My description of "Tiny Montgomery" is my attempt to explain to myself why it reminds me of the Velvet Underground without reminding me of frequent Velvets source the Yardbirds.

Was inspired to post by Sabina citing the Velvets and then trying to do different, regarding EMA.

I wouldn't assume Dylan had heard the Velvets yet. Was his own drawl he was using for a hammer.

Re: Trotting off-topic

Date: 2015-01-26 11:50 am (UTC)
From: [identity profile] davidfrazer.livejournal.com
I'd say Lizzy of Orange Caramel, because what she's doing here is much closer to Orange Caramel (cute and fun) than After School (serious about being sexy). But in this interview Lizzy helpfully demonstrates the differences between her After School mode, her Orange Caramel mode and her trot mode.

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Lizzy also outs herself, so to speak, as a serious trot singer. She sang trot songs in talent competitions when she was growing up, and even sang trot for her After School audition. At long last she's happy to have a trot album because "it's what I enjoy and what I'm pretty good at".

Which brings me to...

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Lizzy singing "Not an easy girl" with a live band and three backing singers, just as real trot singers do when they appear on television.

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Frank Kogan

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