Lee Hi

Nov. 17th, 2012 01:11 am
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Last year a cute, goofy fifteen-year-old walked onto the Kpopstar audition floor, introduced herself, went into an adorably clumsy dance, and continued on (the judges grinning) with an unintentionally comic sexual strut. Then she opened her mouth to sing, and a million years of experience and pain came pouring out.

Her segment starts at 2:50. [EDIT: The video (I think it may have been all of Episode 2 of KPOPSTAR) is no longer available, so I've substituted in a video of just the part where Lee Hayi (later known as Lee Hi) auditions:



END EDIT]

She was even better a couple of months later, singing deep and dark on a ballad that Yang Hyun-suk had given her to take her out of her style and out of her comfort zone.



(For Eng Sub go here to 21:53, and then here for more of the judges' comments.) [EDIT: Those links are dead; in the first ones, YG and JYP are telling her why she has to lose weight; presumably they also told her how very good she was, though this was almost 10 years ago and my memory has managed not to retain what they said on that point.]

In the competition itself, she was never quite as galvanizing, though was technically better as she showed her versatility, and none of the clumsy body motions. She was a crowd favorite and finished number 2, deserved to have won.

My fear is that K-pop won't quite know what to do with her, the combination of kid-like moxie and a true soul voice. Neither would America, at this point. I don't think Jazmine Sullivan and Beyoncé know what to do next either. Or Adele, though she's doing fine commercially. Might a good soul voice be a hindrance? Lee Hi is with YG Entertainment now, and has had two number ones in the last month, one as a guest on Epik High's "It's Cold," and now on her own for two weeks running with "1,2,3,4." They give her simple but not ridiculous enough dance moves. I'm glad she and they aren't content to have her just stand there and sing. The song is pretty good, nice bounce, well-paced, doesn't force things, and she owns the breaks. But I'm not feeling more; just a pretty good song and a good soul voice.



And here's Yang Hyun-suk seventeen years ago, showing he knows what he's about as a dancer (guy with the donkey-eared* hat; notice he takes his jacket off at 3:19, so he doesn't have to continue suffering from the ridiculously heavy winter wear they've got on under the lights, indoors) [UPDATE: YouTube killed that version, but here's another, Yang Hyun-suk a.k.a. YG is the fellow in orange and aviator shades, sheds his vest at 2:13.]:



*UPDATE: More like beagle ears than donkey ears, actually.

Date: 2012-11-20 03:19 am (UTC)
From: [identity profile] arbitrary-greay.livejournal.com
A true soul voice solo seems to be a burden. Being in a group seems to relieve a lot of expectations, to where f(x)'s Luna was doing the Coyote Ugly and Legally Blonde musicals, neither of which have music styles that her voice would seem to be suited to. They also have the liberty of playing their voices off of foils in their fellow members' voice, like how Jea's fire in Brown Eyed Girls' "Sixth Sense" is so effective because you have Miryo, Gain, and Narsha to contrast.
Would you consider 2NE1's Bom to have a true soul voice, or is it too congested?

Also, Asia has this shameless thing for sappy ballads. So in that sense, there will always be more of a place for a true soul voice in Asia than in the west, even if a shallow one.

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