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Robyn, Paula, Enrique, Beyoncé, Heidi Montag, Mira Craig, Beth Ditto, Yung Berg, Ashley Tisdale, and lots about Aly & A.J.

The Rules Of The Game #20: Fleshy Women, Slimy Men, Smart Teens

Two questions: (1) Of all the songs I've been championing, why is "Potential Breakup Song" the one that's struck the biggest chord with you folks, that's become our miniature cause célèbre? (2) Why do some of us care so much that it gets airplay and breaks through to the general pop audience? What does it represent? What's at stake?

I read this column to the people in my writers group last night, some of whom got excited when I quoted the line from "Potential Breakup Song," and thought the song was terrific when I played it for them (at least the women did). My friend Ken said that it's got elements that remind him of Del Shannon. (When I think about it I can hear a family resemblance between its opening riff and the opening to Runaway. And PBUS's bass line does have something of a rockabilly boogie in it.)

EDIT: Here are links to all but three of my other Rules Of The Game columns (LVW's search results for "Rules of the Game"). Links for the other three (which for some reason didn't get "Rules Of The Game" in their titles), are here: #4, #5, and #8.

UPDATE: I've got all the links here now:

http://koganbot.livejournal.com/179531.html

Date: 2007-10-18 04:10 pm (UTC)
From: [identity profile] justfanoe.livejournal.com
I'm not sure there's anything to this other than that most of the songs you have championed over time have been rock songs and "Potential Break Up Song" is an electropop song. No surprise poptimists goes for the electropop.

Paris Hilton was also dance, but people found her so distasteful that they couldn't get past it. Aly & AJ are apparently completely agreeable people in real life, and great interviews, and seem fun to hang out with. They are likeable, and that help.

Date: 2007-10-18 04:13 pm (UTC)
From: [identity profile] justfanoe.livejournal.com
I'm still trying to think through why I care so much that good stuff becomes hits and bad stuff doesn't. Just seeking validation of my own tastes? I dunno.

Date: 2007-10-18 04:38 pm (UTC)
From: [identity profile] justfanoe.livejournal.com
"See You Again" is probably my favorite song of the year to this point, and if I were submitting a year-end singles list to anywhere, I would seriously consider including it in there, even though it isn't really a single. No idea why something like "Girls Night Out" got released before it.

OK, so in your conception, we are rooting for Miley and A&A to be hits not for us but because we like Aly & AJ and want them to be successful because they deserve it? Maybe it's that I want others to see what I do in Aly & AJ because I've gotten so much enjoyment from their music.

The difference between "Potential Break Up Song" and "La La" is that PBUS is synth based and the others aren't. Of course, "Bullseye" is electric guitar based, but has there really been a poptimists outpouring of support over Aly & AJ in general or just PBUS.

Ashlee Simpson's best singles were released prior to what I perceive to be the peak (in popularity) of poptimists, and definitely prior to me joining the group. I think I like Aly & AJ better anyways.

Date: 2007-10-18 05:42 pm (UTC)
From: [identity profile] justfanoe.livejournal.com
They also co-wrote "Not This Year", which I like even more than "Potential Break Up Song" and maybe even more than "See You Again". Do they have any non-Miley, non-Aly&AJ work?

Date: 2007-10-18 09:23 pm (UTC)
From: [identity profile] justfanoe.livejournal.com
Research reveals:

"Once Again" by Frankie Jordan, "Bigger Than Us" by Hannah/Miley, "Bet On It" from HSM2, "Come Back to Me" by Vanessa H, The Dressed Up As Life album by Sick Puppies (who??), "Driving To California" by Still Pending, and some Cheetah Girls stuff, and probably some other stuff too, I dunno.

Date: 2007-10-19 04:44 am (UTC)
From: [identity profile] skyecaptain.livejournal.com
"executive-trainee emo."

You missed the ILM coinage of "cubicle indie."

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Frank Kogan

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