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Super Junior's "Bijin" is reviewed today at the Singles Jukebox. I wouldn't say I get Super Junior; I was one of the low scorers. Here's the Korean-language original, which I'd have given an extra point, raising it to 7:

Date: 2011-07-12 04:55 pm (UTC)
From: [identity profile] askbask.livejournal.com
I think Sorry Sorry is an 8/10 - it's the blueprint, but Bonamana does everything better: It's more tightly coiled, more focused, but also more melodic, more badass and fearsome. Less human, perhaps, but I don't think Super Junior, for all its members, excel in personality - they're better as this army of intense robotic love warriors. (I'm inconsistent, admittedly - I also like 'It's You', where they get close and intimate, but they're still a little scary there)

Anyway, with this song everything springs out of some nuclear core, every verse and syllable is a concentrated burst of energy. The pre-chorus was a bit problematic at first, but the way it builds down into the amazing arsenal of consonants that is the main chorus just overpowers me.

Date: 2011-07-13 12:05 pm (UTC)
From: [identity profile] askbask.livejournal.com
Most people would agree with you that Bonamana is a 2nd rate sequel, so maybe I'm the who doesn't get Super Junior.

Date: 2011-07-12 05:15 pm (UTC)
From: (Anonymous)
My first hearing of this track what in this live “remix”, so any hearing after that was lacking…



Date: 2011-07-12 07:05 pm (UTC)
From: [identity profile] askbask.livejournal.com
Someone on the jukebox said this is the k-pop sound diluted. I don't understand this point of view at all. It's the opposite, k-pop crystallized -- and represents the most extreme devotion to the core characteristics of its modern iteration. I can understand it being described as unfriendly, clinical, but I can't hear any compromise here. Steak tartare.

Date: 2011-07-12 07:57 pm (UTC)
From: [identity profile] askbask.livejournal.com
Yep, re-read it and realized my error. Egg on my face.

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Frank Kogan

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