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New GD&TOP single "High High," vocals and beats twisted as electronically tight as they can be, club music contorted into pretzels, and GD & TOP finally breaking into song* at 2:20. I think even the Brits in my readership - if any Brits are still reading - will be won over by this one.



*EDIT: When they do this they spell out G-H-E-T-T-O E-L-E-C-T-R-O, and googling the term I got a St. Louis Record Company (their Website streaming what I'd ignorantly or archaically call "industrial dance rock"); DJ Godfather, a ghettotech guy from Detroit; Egyptian Lover, an electro hop DJ from L.A.; and this very strange entry at Urban Dictionary: Generating money for your home via money saving methods. Origin: Originating for Korea, it was first heard in the mythological pairing of a dragon and a white haired extremely good looking man. "The hamster is not running fast enough to generate enough ghetto electro to heat my shower." That's tongue-in-cheek, presumably. Right?

Re: The hug of death?

Date: 2010-12-22 10:49 pm (UTC)
From: [identity profile] askbask.livejournal.com
More that everything is more potent to the fanbases of k-pop idols. Every little thing means a lot ("X and Y are wearing the same shirt, are they dating??"), especially with male idols and teenage girl fans... Which wouldn't be a thing if it wasn't for Korean tabloids' tendency to include 'netizen comments' in every celebrity news article, inflating everyone's impression of random trash talkers' worth. Imagine The Sun adding Youtube comments to their already flimsy stories.

Of course the companies and tv stations tread a fine line between hiding idols' dating lives and teasing the fans with 'provocative' material which will be guaranteed to draw attention. Relevant here is T.O.P and Hyori becoming romantically entangled onstage.



That would be a bad idea for a rookie k-pop starlet, but because Hyori is above most such concerns she could do it.

Date: 2010-12-22 05:20 pm (UTC)
From: [identity profile] petronia.livejournal.com
Offhand that Urban Dictionary entry has the vibe of an unintentionally comedic translated manhwa dialogue line or k-drama subtitle gone fandom-viral.

Date: 2010-12-23 11:36 pm (UTC)
From: [identity profile] askbask.livejournal.com
And I enjoyed your description. Looking forward to the Club Music Contorted Into Pretzels anthology.

Date: 2010-12-25 11:53 am (UTC)
From: [identity profile] askbask.livejournal.com
I've spent some time with the album now, and recommend it heartily. A long think about whether this or 2NE1 will top my k-pop albums list is to be had. I love all the tracks both feature on and 2 of 3 TOP songs (including one which lifts the pathos and guitars from Rihanna's "Firebomb"). The GD solo songs I'm not so sure about.

Date: 2010-12-25 08:27 pm (UTC)
From: [identity profile] askbask.livejournal.com
That seems to be the case. GD & TOP, or GD&TOP. I've heard that heated debates on the subject have raged over at last.fm, but since I've never been among the tag-nazi crowd I haven't participated. Annoyingly their solo tracks on the second half of the album mess things up further. Itunes release may clear things up.

Song credit Q, which someone might be able to answer. These are the credits for "뻑이가요 (Ppeokkigayo)" ("Knock Out"):
Lyrics: G-Dragon, T.O.P Music: G-Dragon, Diplo. Is that well-known DJ producer Diplo?

Date: 2011-01-14 12:28 am (UTC)
From: [identity profile] askbask.livejournal.com
Meanwhile only Koreans on stage with fellow band member Taeyang

Date: 2011-01-14 10:30 am (UTC)
From: [identity profile] askbask.livejournal.com
He says he hasn't (hadn't) dated, here http://www.soompi.com/news/taeyang-confesses-to-a-blind-date-with-snsds-yuri

.. although that doesnt't mean he hasn't done other things. Not surprised the fans lap this stuff up, their gossiping is second to none.

http://thegrandnarrative.com/

Date: 2010-12-26 07:32 am (UTC)
From: (Anonymous)
Re: "Where did all these white girls come from?"

See the first link for a blog post by one of those White girls about the the making of the video, and the second for some context:

http://noonablog.com/?p=2463

http://mixtapesandlinernotes.blogspot.com/2010/12/who-are-all-these-white-chicks-gd-high.html

Cheers,
James

Re: http://thegrandnarrative.com/

Date: 2010-12-27 11:02 pm (UTC)
From: [identity profile] askbask.livejournal.com
The problem with this line of thought applied to popular culture in Korea is that it ignores the fact that Korean women are sexy all the time, much more often than you see a white women being sexy. Perhaps caucasians are hyper-sexualised in ads and videos, but then so are the Koreans. And the sex is the same; I may be building a strawman here, but if someone are suggesting that Korean women's sexuality in k-pop videos or shown by k-pop stars is presented as submissive, in line with cliches about Asians, and less aggressive than caucasian women then they are very much mistaken indeed. I could give you hundreds of examples from 2010, starting with Hyuna's pussy-popping-in-your-face dance in January, going through countless Ciara dance covers by female idols-- that raw, sexual dance style seemingly favored by everyone who's asked to 'do a dance' on a variety show, and finally start looking at the music videos themselves to show how wrong they are.

Certainly you will notice it when non-Asians pop up in Korean popular culture, because it is still a homogeneous society, but some people might make more of their appearances just because they're easier to spot.

Claiming the statement "the "bad girl" category, which few Korean women would willingly associate with" has any relevance when talking about k-pop ignores the fact that so many of the year's biggest female pop hits have been about living out the bad girl role, plotting revenge on the men, being confident about ones sexuality. How this is presented, and the problems with objectification is another thing entirely. But the things said here are simply not true.

Re: http://thegrandnarrative.com/

Date: 2010-12-28 09:38 am (UTC)
From: [identity profile] askbask.livejournal.com
Not sure why they would object to the bunny suits in the first place. I think there's tension between established, traditional conservative values and a liberal young population reflected in the pop culture.

Re: http://thegrandnarrative.com/

Date: 2010-12-28 09:49 am (UTC)
From: [identity profile] askbask.livejournal.com
THE young population, not a. The population as a whole is unfortunately increasingly old.

Re: http://thegrandnarrative.com/

Date: 2010-12-28 09:02 pm (UTC)
From: [identity profile] askbask.livejournal.com
People living long lives is a good thing. It's unfortunate that the birth rate is so low in Korea (the lowest in the world, or close to) that they're lacking young people to take care of the increasing percentage of old citizens.

I wasn't really trying to fit the bunny suits into this, in fact that anecdote just confused me. What I referred to was youth who identify themselves as being at odds with some impression of their society's values. I'll quote a survey held by students, of students, at Yonsei University, which was translated by James:

Despite this [changing] atmosphere, students think Korean society is still conservative, and on the question of sex in particular, 67% of the total replies that is was conservative and not yet liberal. Of themselves in contrast, 41.1% considered themselves to have liberal attitudes towards sex, 26.8% were middle of the road, and 32.0% considered themselves conservative.

4Minute's Hyuna seems to be among those, judging from this quote re: skimpy clothing at a show.

“Singers should be able to choose the costumes they want to wear while performing. Fashion is popular all around the world, but in Korea, fashion is more strict due to the conservative culture. Many things I wear are somehow tied into a controversy, and that’s very disappointing. I just want to show my true self on stage, and tying in my costume with the performance.”

Re: http://thegrandnarrative.com/

Date: 2010-12-26 11:45 pm (UTC)
From: [identity profile] askbask.livejournal.com
Wikipedia says "South Korea (GAON) #1"
http://www.gaonchart.co.kr/main/section/total/list.gaon?mainGbn=CHART&mainCate=1&nationGbn=E&termGbn=week

Gaon is a new invention in Korea, an attempt to make an 'official' all-round chart like Billboard. From before we've had things like the Hanteo charts, which only counts physicals sold in-store, and various digital charts.

It's been at #1 since the 28th of October. What Wiki doesn't mention is the fact that this is the 'foreign artist' chart. On the main chart I find it as high as #53 some weeks earlier. Does this tell us that every English-speaking artist has no presence in the mainstream? No, they just don't sell. They're on the radio, they're referred to in pop culture, they go there to hold shows, play festivals. Illegal downloads must do more damage to foreign artists than to the extremely heavily marketed Korean stars (whose fanbase also buys physicals (and who still sell quite poorly)).

Here's Like a G6 at Korean Mnet's 'Mnet Asian Music Awards' http://www.youtube.com/watch?v=gSw33M_oXCI The performers were mostly Korean, with a few token Japanese and Chinese guests, plus FEM.

Re: http://thegrandnarrative.com/

Date: 2010-12-27 05:01 pm (UTC)
From: [identity profile] descriptivist.livejournal.com
Hi, this is Maddie from My First Love Story. Thanks so much for posting this, for some reason I had never checked out Mixtapes and Liner Notes but I certainly will be from now on. I posted the link at my blog and this is what I wrote in response, which I'll leave here to be discussed further:

At least as far as I know, in North America the treatment and portrayal of white females and white female beauty in Asian cultures is commonly (and perhaps Caucasian-centrically) thought of as based on reverence and racial shame - Indian cosmetics ads push skin-lightening creams as the key to beauty (http://www.youtube.com/watch?v=ahdvo70fRhk); Korean women get eyelid surgery to turn their epicanthic folds into the prized “double eyelid” - so it’s interesting to get a different perspective. The Othering and hypersexualization of Caucasian females by many status-quo Koreans seems very similar to what happens for East Asian females among many status-quo white Americans.

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