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Posted this on rolling teenpop:

New Ashlee track "Get Away With Murder" was pirated and is streamed here (recording soft in relation to the ad voice doing voiceovers in front, and track isn't in final form, and I'm sure hoping that a lot of the lyrics are just placeholders).

From what I can tell, her singing is authoritative, which doesn't surprise me, fits fine with the Afro-Caribbean rhythms, actually, which does surprise and please me. But the lyrics aren't taking me very far.

"He was a good boy until he got behind me"

Well, that's risque, but so what? And mixing sex talk with implications about "good boys" and "bad boys" is very conventional-minded and doesn't impress me. "I got a monkey on my back, he helped me get it off" is a double-entendre on "get off," but again, so what?

"My fears go black in the moonlight" is a powerful line, the one here that makes me really feel that I'm hearing an Ashlee Simpson song. Throw in the reference to "monkey on my back" and the good beats and the good minor-key eeriness of the singing, and maybe this is, like, an evocative poke of a stick at love addiction, risky passion, identity-destroying obsession. The lyrics aren't as random as I'd originally thought, nor as negligible. Maybe they matter, even. But it seems to me that I'm having to do all the work to get the mattering out of her opaque references to handcuffs and addiction and anal sex and fears and struggle. I'd rather she be articulate than that she poke sticks, rather she tell a story than toss saucy little hints, rather she be analytic than "shocking."

I suppose, if Gwen or Nicole or Madge did those lyrics I wouldn't complain, they're just words to a song and the music could be great, and maybe this is a work in progress anyway. If Bob Dylan sang them it would be a lunatic change of pace, quite refreshing. But Gwen and Nicole and Madge never wrote any lyrics remotely as great as, for instance, "Love Me For Me," and Dylan's never done a relationship song as good as that one.

(Yeah, and you could say that maybe it wasn't Ashlee who's most responsible for the "Love Me For Me" lyrics, since we don't know, but has Shelly Peiken ever had her writing credits on any other lyrics half as good as those? Well, I don't know, not having heard most Peiken songs, so I ought to be genuinely open-minded, but I'm not betting on it based on what I have heard.)

This lyric from Travis's rap is genuinely funny:

"They told me to put my muthafucken hands up
But I was handcuffed to the bed and couldn't get 'em up"

So, initial evaluation: music and singing good, maybe very good, much like her "Burnin' Up," which was also funny and sexy though more full-bodied and big-bosomed in its humor. Idiots who think her singing needs more "cred" and who bother to listen will probably grant it to her for this. Shows great versatility, like tracks five through ten on I Am Me. And hearing it loud and for real will no doubt make it powerful. Possible rating: 7.5. Maybe more at full volume. Good solid club track. On its own terms, if I forget that it's an Ashlee Simpson song, as a tough-vulnerable-funny-sexy caught-up-in-desire song, it's good. You know, the way that something like Nelly F's "Promiscuous" is good. And it's also somewhat bullshit in the way that "Promiscuous" is somewhat bullshit. And on its own tough-vulnerable-funny-sexy caught-up-in-desire terms it quails in comparison to Corina's searing, flaming, hilarious "Temptation," which actually I'd love to hear Ashlee do because she could burn it through the walls.

But as an Ashlee Simpson song, who needs Ashlee Simpson to do high-quality club tracks that don't express her complicated soul, when she's already put more fire and feeling into a single couplet like "I'm the one who's crawling on the ground/When you say 'Love makes the world go 'round'"?

Which isn't to say that she can't do higher-quality club tracks that either do or don't express her soul, and this is good enough to make me think that her going "dance" won't be the total mistake I'd feared. But, you know, it's not the Ashlee I love.

Date: 2007-08-30 08:17 pm (UTC)
From: [identity profile] piratemoggy.livejournal.com
I was skeptical at the start but I have to say, by the end I was really enjoying that, ad tags aside.

Isn't the lyric 'I'm you're sunshine concubine?' I liked that a lot, so I'm hoping it was.

Date: 2007-08-30 08:45 pm (UTC)
From: [identity profile] piratemoggy.livejournal.com
Heheh, yes, it's definitely him. I know everyone says he can't rap etc. but I like him a lot. He is exactly the sort of hopelessly romantic prat I get annoyed at falling for.

I think the lyrics are rather wonderful in terms of them being ...not what you'd expect, from the noise. This might just be my lack of knowledge of US club music or whatever it's meant to be but I rather liked what a play-act it is, this fantasy of langurous wrongdoing; it reminded me of The Fantastic Tale of Sailor and Lula, or whatever that book's called.

Date: 2007-08-30 09:04 pm (UTC)
From: [identity profile] piratemoggy.livejournal.com
Ah, I suppose not- I like the way it's a picture song, though; it makes images of Mid West voodoo adventures in my head.

I have never really got over discovering the line went 'I'll be a french maid when I meet you at the door' not 'I'll be your fresh meat when it's meat you're looking for,' which was faintly repulsive but had great vampire implications and also a vaguely funny Lionel Richie reference. Dammit.

I saw that, yeah. I think I'd be kinda disappointed if she reswizzled it, unless got my mucky paws on a clean mp3 of that version first. I dunno, that's been the first Ashlee song that hasn't taken me five or so listens to think 'YEAH!' This may well just be because I am naturally perverse and everyone in the comments said it was crap etc., though.

Date: 2007-08-30 11:12 pm (UTC)
From: [identity profile] edgeofwhatever.livejournal.com
Well, my problem with the lyrics is that they don't make a great effort to mean anything.

Or maybe they do. Look at all the crime references in the rap: "they told me to put my motherfuckin' hands up / but I was handcuffed to the bed and couldn't stand up," "we could get diplomatic immunity," "curiosity killed the cat," "OJ's my favorite Simpson." And that builds us up to "they say I get away with murder" at the end.

I mean, I think she just ripped off "Cell Block Tango," but she did it pretty skillfully.

Date: 2007-08-30 11:06 pm (UTC)
From: [identity profile] edgeofwhatever.livejournal.com
"My fears go black in the moonlight" is a powerful line

Pretty sure it's "my tears turn black in the moonlight," calling back to the "so easy for me to cry" bit.

Date: 2007-08-31 02:52 pm (UTC)
From: [identity profile] edgeofwhatever.livejournal.com
That was about as far as I got.

This is what I could catch of Travis's rap:

They told me to put my motherfucking hands up
But I was handcuffed to the bed and couldn't stand up
Caught me red-handed, no telling what they gon' do to me
It's cool, 'cause you know, we can get diplomatic immunity
Now we're sitting in front of that button everyone's warned us not to push
And paranoia's start to set in, sweating
[???]
Curiosity killed the cat
[???] orange juice
And OJ's my favorite Simpson

Date: 2007-08-30 11:46 pm (UTC)
From: [identity profile] mooxyjoo.livejournal.com
i don't know if i've ever found a use of monkey/back related figures very meaningful.

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Frank Kogan

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