Links
Threads
Frank Stuff
- Bluesky
- Real Punks Don't Wear Black (reviewed)
- Death Rock 2000
- Superwords (go to thread and search "superword")
- Legend Of The Glockeater
- The Rules Of The Game
- koganbot YouTube playlists
- Mouthbeats And The Openhearted (long Substack ver.)
- Wan For The Win
- "I Am My Own Mommy, The Fuck!"
- Hallway-Classroom (go to thread and read down and up)
- T-ara
- "You’ve loved me and I’ve only given you disappointment. Please stop now." They don’t stop.
- Dresses Are My Weakness, Seriously
- The Disco Tex Essay
- The Social Butterfly Effect
- Where The Real Wild Things Are
- The Death Of The Cool
- The Spoonie Gee Trilogy
- They put the world off at a distance
- Hero Story
- Why Mucus Slacks (substack)
More Blogs and Such
- rockcritics.com
- Freaky Trigger
- People's Pop Polls at twitter
- People's Pop Polls at freaky trigger
- People's Pop Polls at bluesky
- Dave Moore's bluesky
- Dave Moore's fun Twitter
- Dave Moore's official twitter
- Cure For Bedbugs (Dave Moore)
- Dave Moore on Medium
- Sean Carroll's Mindscape podcast
- Gary Gramling's old Sports Illustrated content
- Brad DeLong's Grasping Reality
- Leslie Singer/Girls On Fire
- Duncan J. Watts
- Pinakothek (old) (Lucy Sante)
- Pinakothek (more recent) (Lucy Sante)
- Lucy's Substack (Lucy Sante)
- Freelance Mentalists (Don Allred et al.)
- Don Allred's Village Voice links
- Jessica Doyle's pillowfort
- Jessica Doyle's blog
- Tom Ewing at Freaky Trigger
- Hazel Southwell's Soundcloud
- Andrew Klimeyk's twitter
- Richard Kogan at CBPP
- Bobby Kogan's twitter
- David Kogan's twitter
- Mark Sinker's twitter
- mark sinker is creating a history of the uk music press
- Pinkmoose twitter
- Robert Christgau
- Matt Yglesias's twitter
- Holly Boson's bluesky
- Jonathan Bradley's twitter
- LokpoLokpo's bluesky
- Jel Bugle's bluesky
- Semipop Life (Brad Luen's substack)
- Brad Luen's substack notes
- Brad Luen's bluesky
- Chuck Eddy's bluesky
- Jeff Worrell's bluesky
- Katherine Morayati's twitter
- idca's bluesky
- Jonathan Bogart's bluesky
- Sarah Manvel
- Sarah Manvel's bluesky
- Centuries of Sound bluesky
- The Singles Jukebox
- Jamie Vinnycrackers
Active Entries
- 1: Another Year In America November 19, 2009
- 2: Confirmation
- 3: Rules Of The Game #6: The Boney Joan Rule
- 4: Boney Joan Returns!
- 5: Nathan Chapman
- 6: Ari Falcão
- 7: The Austral-Romanian Empire
- 8: Hoisted from the archives: Athletic R&B comments reconstituted
- 9: Bob Dylan
- 10: Background becomes foreground
Style Credit
- Style: Neutral Good for Practicality by
Expand Cut Tags
No cut tags
no subject
Date: 2010-07-10 11:14 pm (UTC)f(x) as the edgy, punk-y youth:
[Error: unknown template video]
Narsha (of Brown Eyed Girls fame) as the Madonna/Lady Gaga thought-provoker ( /catchy gibberish chorus provider):
[Error: unknown template video]
4MINUTE as the well-known sexy n' dangerous electro vixen:
[Error: unknown template video]
IU as the still innocent, young up-and-commer. This song has been a huge hit for the past month:
[Error: unknown template video]
Take a look at her interpretation of SNSD's Gee (and Super Junior's Sorry Sorry) for what seems to me like a hint that she'll come to find her own artistic signature soon enough:
http://www.youtube.com/watch?v=EbuSGltOync
* Note how 'concepts', a different word for roles, is (constantly) used when groups come back from a break as a way to frame what new tricks they're bringing to the floor. Sometimes that means 'going dark', 'going hip hop', or just "dressing up in marine/naval outfits" as when SNSD released Genie, but they're almost always given a tag.
Sometimes a group changes styles ever so slightly but remain more or less the same - f(x) have stayed with the spunky, DIY style so far - and sometimes it's a 180 degree turn, a group basically throwing previous musical signatures and image out the door for a try at something else -- see KARA going from cutesy crayola pop to dark and mysterious with single "Lupin". Narsha's development has come off as organic enough: BEG were a fairly anonymous group for years before they found their true selves as sexualized and daring women, and now her solo debut is placed in a quirkier, more adult setting -- no doubt according to her own preferences.