koganbot: (Default)
[personal profile] koganbot
OK, here I am at the UConn library, raring to do some last-minute research

[livejournal.com profile] dubdobdee says here:

It travels because, however newly named, it's one of the golden oldies in aesthetics — the phenomenon of the Sublime, that combo frisson of awe, fright, satisfaction and pleasure, which stopped being avant garde about a quarter of a millennium ago, round about the time Edmund Burke said, "A clear idea is another name for a little idea", while all around edgy folks swooned before the immensity or violence or dreadfulness of chasms, volcanoes, stormclouds and shadows; and Hugh Walpole — on a forests-and-mountains walking tour in the Alps — got to see his beloved pet poodle being gobbled up by a wolf.

All right, clearly if I am to understand the decade in pop, I will need someone to tell me in what essay, book, or broadside I can find various people - Edmund Burke, Hugh Walpole, Kara Dioguardi, not to mention whoever wrote the idea when it was still avant garde - putting forth the theory of the Romantic Sublime. The Encyclopedia of Philosophy is rather taciturn on the subject.

Date: 2009-11-24 09:50 pm (UTC)
From: [identity profile] edgeofwhatever.livejournal.com
I see you hiding Kara up in there. I believe the broadside where you can find her is called "my Livejournal."

The Burke line is from this, btw.

Date: 2009-11-24 09:54 pm (UTC)
From: [identity profile] edgeofwhatever.livejournal.com
Disregard that last link, I meant to link to this. (Full work is a href="http://www.bartleby.com/24/2/">here.)

Date: 2009-11-24 09:54 pm (UTC)
From: [identity profile] edgeofwhatever.livejournal.com
I fail at commenting.

Date: 2009-11-24 11:23 pm (UTC)
From: [identity profile] dubdobdee.livejournal.com
I fail at dogfacts: it was not a poodle but a King Charles spaniel, named "Tory"!

Longinus on the sublime: is the classical root of the whole idea

Burke on the Sublime

Secondary essay on Burke on the Sublime: I love the "Victorian Web"

Secondary essay on Ruskin on the sublime: Ruskin is probably who did most to get the idea into the general discussion; the most important writer on art and politics in the English language in the 19th century (i mean that's how they saw him)

re the romantic sublime specifically

Date: 2009-11-25 12:41 am (UTC)
From: [identity profile] dubdobdee.livejournal.com
longinus is the "classical" sublime -- not the classical that comes before the romantic in the 18th century, which was a revival, but the original classical, which of course never referred to itself as that....

ruskin is arguably the "post romantic sublime: not sure what the correct term would be here, but his arguments and his position i think move somewhat away from the line taken by eg the romantic poets in their poems and criticism -- wordsworth, coleridge, keats, hazlitt who isn't a poet but is the first "modern" critic-as-essayist; though keats and wordsworth diverge quite a bit... i'd have to hunt around to recall how...

burke i thnk would be the theorist of the "romantic sublime" when it was avant garde; longinus of the unqualified sublime, the first to discuss it... and he's the one i was talking about in that fragment

Profile

koganbot: (Default)
Frank Kogan

December 2025

S M T W T F S
 123456
7891011 1213
14151617181920
21222324252627
28293031   

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jan. 24th, 2026 07:50 am
Powered by Dreamwidth Studios