Pop Aesthetics of 1750
Nov. 24th, 2009 04:04 pmOK, here I am at the UConn library, raring to do some last-minute research
dubdobdee says here:
It travels because, however newly named, it's one of the golden oldies in aesthetics — the phenomenon of the Sublime, that combo frisson of awe, fright, satisfaction and pleasure, which stopped being avant garde about a quarter of a millennium ago, round about the time Edmund Burke said, "A clear idea is another name for a little idea", while all around edgy folks swooned before the immensity or violence or dreadfulness of chasms, volcanoes, stormclouds and shadows; and Hugh Walpole — on a forests-and-mountains walking tour in the Alps — got to see his beloved pet poodle being gobbled up by a wolf.
All right, clearly if I am to understand the decade in pop, I will need someone to tell me in what essay, book, or broadside I can find various people - Edmund Burke, Hugh Walpole,Kara Dioguardi, not to mention whoever wrote the idea when it was still avant garde - putting forth the theory of the Romantic Sublime. The Encyclopedia of Philosophy is rather taciturn on the subject.
It travels because, however newly named, it's one of the golden oldies in aesthetics — the phenomenon of the Sublime, that combo frisson of awe, fright, satisfaction and pleasure, which stopped being avant garde about a quarter of a millennium ago, round about the time Edmund Burke said, "A clear idea is another name for a little idea", while all around edgy folks swooned before the immensity or violence or dreadfulness of chasms, volcanoes, stormclouds and shadows; and Hugh Walpole — on a forests-and-mountains walking tour in the Alps — got to see his beloved pet poodle being gobbled up by a wolf.
All right, clearly if I am to understand the decade in pop, I will need someone to tell me in what essay, book, or broadside I can find various people - Edmund Burke, Hugh Walpole,
no subject
Date: 2009-11-24 09:50 pm (UTC)The Burke line is from this, btw.
no subject
Date: 2009-11-24 09:54 pm (UTC)no subject
Date: 2009-11-24 09:54 pm (UTC)no subject
Date: 2009-11-24 11:23 pm (UTC)Longinus on the sublime: is the classical root of the whole idea
Burke on the Sublime
Secondary essay on Burke on the Sublime: I love the "Victorian Web"
Secondary essay on Ruskin on the sublime: Ruskin is probably who did most to get the idea into the general discussion; the most important writer on art and politics in the English language in the 19th century (i mean that's how they saw him)
re the romantic sublime specifically
Date: 2009-11-25 12:41 am (UTC)ruskin is arguably the "post romantic sublime: not sure what the correct term would be here, but his arguments and his position i think move somewhat away from the line taken by eg the romantic poets in their poems and criticism -- wordsworth, coleridge, keats, hazlitt who isn't a poet but is the first "modern" critic-as-essayist; though keats and wordsworth diverge quite a bit... i'd have to hunt around to recall how...
burke i thnk would be the theorist of the "romantic sublime" when it was avant garde; longinus of the unqualified sublime, the first to discuss it... and he's the one i was talking about in that fragment
Re: re the romantic sublime specifically
Date: 2009-11-25 05:13 pm (UTC)Re: re the romantic sublime specifically
Date: 2009-11-25 05:15 pm (UTC)