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I never did get around to writing about Tom's excellent Decade In Pop piece when it finally emerged, though I was throwing in my two cents whenever he asked for advice in the run-up. The piece's obvious weakness - lack of hip-hop and not enough r&b - wasn't an oversight but was due to Pitchfork's having a separate hip-hop piece. And country's another country, for Tom and for Pitchfork too. But nonetheless, there's an Elephant In The Room.



It's not one of these big elephants that everyone knows about and reacts to but pretends isn't there; it's a big elephant all right, one that everyone knows is there but that they pretty much don't notice and they forget to talk about. Anyway, the elephant is adult contemporary. Also its cousins urban contemporary and smooth jazz.

And markets and formats not existing in isolation, the AC market is crucial to bolster the success of acts that also hit elsewhere. Back in '99 Britney and *NSync and the Backstreet Boys were getting plenty of AC play; about late 2000, early 2001, those groups lost their AC and Top 40 spins, partly, I think, because there was so much attention being paid to teenpop as a genre. And one thing the confessional girls like Michelle and Pink and Vanessa C. and Avril did was to bring AC back to the teens, or vice versa. I think one reason Pink's and Avril's careers have been so resilient is that they've maintained AC support. And rock bands like Daughtry and Hinder have been helped by AC.

Current AC chart:

1. "The Climb" Miley Cyrus
2. "You Found Me" The Fray
3. "I'm Yours" Jason Mraz
4. "Come On Get Higher" Matt Nathanson
5. "Her Diamonds" Rob Thomas
6. "Love Story" Taylor Swift
7. "Better In Time" Leona Lewis
8. "Love Remains The Same" Gavin Rossdale
9. "What About Now" Daughtry
10. "You Belong With Me" Taylor Swift
11. "Hot N Cold" Katy Perry
12. "1, 2, 3, 4" Plain White T's
13. "Please Don't Leave Me" Pink
14. "Here Comes Goodbye" Rascal Flatts
15. "Come Back To Me" David Cook

Date: 2009-09-08 09:26 pm (UTC)
From: [identity profile] dubdobdee.livejournal.com
i guess it's the presence of smooth jazz outside its own realm i'm interested in, just because have no idea at all if it has any

Date: 2009-09-09 01:17 am (UTC)
From: [identity profile] chuckeddy.livejournal.com
I've heard a couple of these. Maxwell's boring "Pretty Wings" actually scored pretty well on Singles Jukebox, though I have no use for it myself. And Avant's "Sailing" (which I do like) is actually an r&b cover of the Christopher Cross song!

Just for kicks, here is the current playlist of Austin's (public, I think, more or less) Grown Folks R&B (I call it -- not sure what they call it: maybe *this* is urban AC?) station KAZI (which I listen to fairly often, though mainly during their Southern Soul speciality shows, on Tuesday and Wednesday nights I believe.) Anyway, there's some crossover with that smooth jazz chart, though not a lot -- I like how they helpfully state which genre each of the songs is:

Mary J Blige Stronger R&B
Choklate The Tea R&B
Letoya Luckett Regret R&B
Ledisi Goin Thru Changes R&B
Whitney Houston Million Dollar Bill R&B
Amerie Heard Em All R&B
Goapele Milk & Honey R&B
Ryan Leslie Ice Cold R&B
Mint Condition Back In Stride R&B
Johnta Austin Burlesque R&B
Brian McKnight What I've Been Waiting For R&B
Usher Cruisin R&B
Eric Roberson The Power That Kisses Hold R&B
Trish Andrews On My Mind Neo-Soul
Calvin Richardson American Dream Neo-Soul
Maxwell Stop The World Neo-Soul
Rena Scott In This Life Neo-Soul
Lisa Zure' Tongue Tide Jazz Vocals
George Benson Family Reunion Jazz Vocals
Oli Silk Solarity Jazz
Streetwize Here I Stand Jazz
Dwayne Kerr feat Kirk Whalum Being With You Jazz
Mali Music Avayable Gospel
Kathy Taylor I Believe Gospel
J. Moss I Gave It Up Gospel
Jah Cure You'll Never Find Reggae
Mick Boogie Stay This Way Hip-Hop
Bavu Blakes On The Cool Hip-Hop
Dead Prez Helpful Hip-Hop
Nappy Roots/Anthony Hamilton Down N Out Hip-Hop

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Frank Kogan

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