Come To Get Me When The Stars Die
Mar. 13th, 2009 12:50 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
koganbotFor those of you who have been asking yourself, "When is Frank going to take those Margaret Berger 'Robot Song' and t.A.T.u. 'Cosmos' tracks that he talked about so eloquently on sm_woods' livejournal and, rather than linking them via stupid imeem feeds that stop working after you play them once, put them on his MySpace profile playlist instead so that we can all enjoy them?" well, I have now taken "Robot Song" and "Cosmos" and put them on my my MySpace profile playlist so that everyone can enjoy them.
As for the playlist itself (which you can hear in its entirety by going to my MySpace profile and simply listening, except every three songs or so they throw an ad on top and stop the songs and make you click "Continue Listening To Music," and this is how they can afford to rent the songs on our behalf): first three songs constitute the Doomed Love Trilogy (Margaret Berger's "Robot Song," t.A.T.u.'s "Cosmos," and The-Dream's "Love Vs. Money"), next song (María Daniela Y Su Sonido Lasser's cover of Click's "Duri Duri") provides an Interlude In Which We Prove That The Greatest Italodisco Song Ever Was Sung In Spanish, Twice, after which The-Dream returns with the Doomed Lust of "Ditch That," followed by the Tragic Trilogy Of Having To Dance 'Til Dawn And Beyond (Cyndi Lauper's "Into The Nightlife," Annie's "Songs Remind Me Of You," and Michelle Williams' "We Break The Dawn"), and then we conclude with the Heartbreak Of Being Happy (Black Eyed Peas' "Pump It" and Sir Mix-A-Lot's "Posse On Broadway"), featuring posses and Mexican horns, not to mention Larry the White Guy, people think he's funny, a real-estate investor, he makes a lot of money.
As for the playlist itself (which you can hear in its entirety by going to my MySpace profile and simply listening, except every three songs or so they throw an ad on top and stop the songs and make you click "Continue Listening To Music," and this is how they can afford to rent the songs on our behalf): first three songs constitute the Doomed Love Trilogy (Margaret Berger's "Robot Song," t.A.T.u.'s "Cosmos," and The-Dream's "Love Vs. Money"), next song (María Daniela Y Su Sonido Lasser's cover of Click's "Duri Duri") provides an Interlude In Which We Prove That The Greatest Italodisco Song Ever Was Sung In Spanish, Twice, after which The-Dream returns with the Doomed Lust of "Ditch That," followed by the Tragic Trilogy Of Having To Dance 'Til Dawn And Beyond (Cyndi Lauper's "Into The Nightlife," Annie's "Songs Remind Me Of You," and Michelle Williams' "We Break The Dawn"), and then we conclude with the Heartbreak Of Being Happy (Black Eyed Peas' "Pump It" and Sir Mix-A-Lot's "Posse On Broadway"), featuring posses and Mexican horns, not to mention Larry the White Guy, people think he's funny, a real-estate investor, he makes a lot of money.
