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March marches in, with Soldier Of Love atop the album charts and Battle Studies placing its second single in the Top 40.

Jay-Z & Swizz Beatz "On To The Next One": Hardly a breakthrough in futurism - blips outta hyphy and looped dissonant incantations outta Timbo - but Swizz has always been good at focusing what he finds and making it catchy. Jay-Z sounds more dogged than ebullient these days; fortunately, Swizz's compulsive riffing feeds on the doggedness and concentrates it. TICK.

John Mayer "Heartbreak Warfare": Quiet pain, skillfully set with quiet beats, the emphases only slightly more emphatic than the rest, numbed and deadlocked being what he's going for. I really dislike this song, since it feels like artistic and social deadlock as well, path of least resistance exalted as if it were inherently interesting - the deadlock in his voice owing to its not being a good voice. Bazooka-force subtlety in the lyrics doesn't help, e.g., "Watch my face as I pretend to feel no pain." NO TICK.

Usher ft. Plies "Hey Daddy": An easy long day's journey into bed, Usher a smoothie who's in a superior league to Mayer; but music not being sport I'm almost as bored by him this time; not that the track bothers me particularly, other than the faint feeling I get of being inappropriate when he sings "Can't nobody do your body like this" and I burst out laughing. BORDERLINE NONTICK.
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Frank Kogan

December 2025

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