Mar. 28th, 2013

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A couple of posts last month by Sabina that I bookmarked and am only returning to now, hoping that she'll return to them as well:

Here's a thought, by the way

One effect of growing up with parents who didn't get rock

The question that leaps into my mind is why haven't Sabina's immigrant parents taken to rock? As she says, "access" isn't the only issue. Words like "generation" and "culture" don't work as explanations here: they're the very concepts that need explaining. Of course, I don't have a good explanation for why my (nonimmigrant) parents didn't take to rock (they being a generation older than Sabina's), and why most of their friends didn't either.


The Yardbirds, 1965

Did people such as Sabina's parents, in that first post-Mao generation, read, say, Hamlet, and Faulkner? I wouldn't be surprised if they did. I ask because I remember fantasizing making a film about a high school drama club, 1968, the real lives of the students as they were confronting everything from the specter of the draft to their own confused and fraught love lives; meanwhile, they're acting in a production of Hamlet, from which we see scenes. This fantasy didn't develop much further, except that the Rolling Stones' "Street Fighting Man" plays near the start (the need for action but no idea what to do), and "Paint It, Black" a little later on, as the various protagonists in the play and in life refuse to reconcile.


The Rolling Stones, 1966

These are a couple of the many ways into hard rock )

What about Italodisco? )

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Frank Kogan

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