Dec. 14th, 2010

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I've also started posting at a blog called Jazz Advance ("From Free Jazz to the new vanguards"), where I'll show up occasionally, if you're interested. I mention the Contortions, Joni Mitchell, Ashlee Simpson, Taylor Swift, and Nazareth. Right on the jazz vanguard I am!

(I've already said a bit about Jazz Advance over on Sükråt.)
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The Singles Jukebox, which is by far the best review site I see regularly,* has just started its second annual Amnesty Week: each of the regular writers nominates a favorite single that hasn't yet gotten a Jukebox review, and then we all review the nominees. Lots of good stuff; I've already awarded one 9, with two or three more to come, which surpasses the combined total from the rest of my Jukebox year.



Reviews of After School's "Bang!" are up, so you can see what I wrote there; but also I'd sent the reviewers an advance email to (in Will's words) "suggest to yr fellow writers why your nomination is worth a listen":

I nominated After School's "Bang!" which is a bunch of young idol-factory women playing toy soldier. This speaks for itself, if you know Korean and understand Korea. Or maybe Koreans are as baffled by it as I am and like being intrigued. The group are supposedly modeled after the Pussycat Dolls for their "matured and sexy concept," if you buy that. I wonder if this track sounds as violent to its prime K-pop audience as it does to me, violently bright - hip-hop and r&b shined up into an aggressively playful hardness. Then they go stunningly dreamy and gorgeous in the middle eight, and then shift right back to the violent shine.

Immature and sexy concept )

*Also the only review site I see regularly, but there's good reason to look regularly.

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Frank Kogan

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