Aug. 10th, 2009

Superpain

Aug. 10th, 2009 05:08 am
koganbot: (Default)
I like this response I just made to Nate on the several-days-old pain thread, so I'm reposting here so it doesn't get lost:

One of my favorite papers I wrote in college argued that - despite what philosophers claim - in standard usage intensity of pain is not strictly personal and ineffable but is a social value judgment that we can and do argue about, just as we argue about beauty, etc. - well, not "just as," since "beauty" is sometimes said to inhere in a sunset or sculpture or other inanimate object (despite the eye-of-the-beholder bromide), but we most certainly don't leave it up to an individual's self-report to decide how hurt he's feeling, whether his pain-statements are valid, whether or not he's malingering or whining, etc.

[And I'll add here that in instances where pain confers legitimacy - e.g., you are accorded personal or political validity on the basis of your suffering - pain is something of a Superword. E.g., "Hero Of Fear": "Terry says he's more real than me 'cause he's sick all the time/Not like I get sick/Or you get sick/But real sick." (For meaning of "Superword," click link on sidebar.)]
koganbot: (Default)
This New York Times profile of Vanessa Hudgens did what the preview clips didn't do for Bandslam, which was to make me somewhat interested in seeing the movie (though I'll be happy to wait for it to show up at my local library on DVD sometime in the next several years). I'm skeptical about the article's storyline - don't see how shy emo girl who blossoms on the rock stage in Bandslam is a major shift in persona from shy science geek who blossoms on the musical stage in High School Musical* - but what grabbed my attention was director Todd Graff saying that he wanted to tell the "story of Brian Epstein at 16."

Also, someone involved in the movie must be a Tom Lehrer fan.

*I've only seen the first HSM movie, however, so I don't know if Gabriella's character stayed the same for the two that followed.
koganbot: (Default)
These two songs feel similar - Vanessa Hudgens' "Say OK" and Hope Partlow's "Sick Inside" - though "Say OK" has a bit of a freestyle thing going on with it (but not nearly as much as the even better "Don't Talk"), while the arrangement to "Sick Inside" is poised between clave and country. Notice who's in the "Sick Inside" video. ("Say OK" vid probably won't play in Britain, so here's a link to another clip of it.)



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Frank Kogan

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