Frank Kogan

Since Jessica got me to read his site for the first time in a while, I might as well throw a k-punk thing in here that seems relevent:

http://k-punk.abstractdynamics.org/archives/009421.html

There is a very definite class dimension in my distaste for Popism. Popism seems to be the working out of set of ruling class complexes: a sneaking past matron to enjoy forbidden pleasures. 'We ought to like classical music, but really we like Pop!' (Incidentally: how many Popists are there who didn't go to Public School?) For those of us who weren't brought up into high culture, Popism's calls to be always cheerful about mass culture are very much like being told (by our class superiors, natch) to be content with our lot. In working out its own resentments, what Popism takes away is nothing less than the right to resentment of the subordinate group. By contrast, the significance of something like Dennis Potter or postpunk was that they gave access to aspects of high culture in a space that de-legitimated high culture's exclusivity and privilege. The utopian space they opened up was one in which ambition did not have to end up in assimilation, where mass culture could have all the sophistication and intelligence of high culture: a space which pointed to the end of the current class structure, not its inversion.

Obviously a bit of class self-identification going on here!