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Frank Kogan ([personal profile] koganbot) wrote2013-06-02 08:20 am

What does not chill me makes me stronger (Z.Hera, Baek Ji Young, BoA)

Z.Hera "Peacock": Dance-pop from a writer who seems to have studied études and preludes, featuring a rookie singer who puts strain in her upper register in a way that's heart-tuggingly passionate, like the best of the '80s. She's got something, as does whoever wrote and produced the song, even if it's getting nowhere on the charts.



It would help if the visual concept were more than just "I'm young, I'm fresh, and I dance pretty well." In the video she's a caged bird who escapes her garret into a land of balloons and Swiss roofs and soap bubbles. The lyrics (English version here) are about never giving up in the face of adversity or a love object's indifference ("Nobody close, I'm feeling lonely, bitter cold/Only thought it makes me stronger"). Then she steps through her wardrobe into a tinseltown freeze, but she's feeling fire, and her energy never flags.

Live on Mcountdown, she hits both her marks and her notes:



Can't find definitive info regarding her label, but she seems to be contracted directly to CJ E&M rather than one of their Mnet subsidiaries. I didn't know they had their own singers.

Baek Ji Young "떠올라": Baek Ji Young has been doing well recently with ballads of dripping emotion, no droplet or gusher held back, one of the few ballad singers to reach me consistently. But she has an easy touch on dance tracks, into which she inserts pangs and power, also reaching me.



She's got a long résumé, and had to overcome vicious and detestable slut-shaming, like what was done to Paris Hilton but in a country where capitalizing on notoriety isn't really an option, at least where she was situated in the biz 13 years ago. In any event, I'm looking forward to exploring the back catalog: according to Wikip she started off with Latin-flavored dance tracks.

BoA: BoA is an astonishingly fluid dancer, my favorite in the world. In comparison, her voice often seems locked-in. But her nasal soundpack is just right for the OST ballad "Between Heaven And Hell": restraint, clear line on the melody, dignified little quavers.

[identity profile] davidfrazer.livejournal.com 2013-06-02 11:47 pm (UTC)(link)
To me, the Baek Ji Young song has a 1980s revival/pastiche vibe, and I may be completely wrong but it seems to be not a million miles away from freestyle...

Meanwhile, in tierless nocturnal critter news, Chocolat's comeback will apparently be on the 6th June.

[identity profile] davidfrazer.livejournal.com 2013-06-03 09:53 am (UTC)(link)
So I wasn't imagining things, then. That's a relief.

On the subject of 1980s pastiche pop, Tommy february6, who [livejournal.com profile] arbitrary_greay alluded to in the Japanese freestyle discussion, has released previews of two new songs. Not freestyle, of course, but plenty of eighties flavour.

[identity profile] davidfrazer.livejournal.com 2013-06-09 10:01 pm (UTC)(link)
And now for some real 1980s J-Pop. A user on reddit's /r/jpop section posted The Stress (1989) by Chisato Moritaka.

I'll post the embed code here and see if it works. Anyway, it's a synthpop track with snatches of Middle Eastern style strings and vocals.



Also relevant would be the very Stock Aitken Waterman-ish 17 sai from the same year.

[identity profile] davidfrazer.livejournal.com 2013-06-09 11:39 pm (UTC)(link)
P.S. Before I forget, I found a post about Chisato Moritaka on a blog about vintage Japanese pop. Terms like disco, eurobeat and even freestyle are mentioned. :)

Tia-ful creatures of the night emerge fleetingly into daylight

[identity profile] davidfrazer.livejournal.com 2013-06-05 09:44 am (UTC)(link)
The June 6th date I mentioned for Chocolat's comeback seems to be just a pre-recording for Show Champion. However...

Today Tia co-hosted After School Club on Arirang World (an international, English language Korean channel) and Chocolat got an opportunity to perform their new song Black Tinkerbell...for just over a minute. Their very brief appearance starts at about 5:33.

(I was going to embed the video, but it didn't appear in the preview.)

Melanie was feeling sick yesterday and got put on an IV, which probably explains why she's wearing a cardigan.

I can't say much about the song except that it's a mid-tempo R&B-ish thingy. I'll leave it up to others to detect any freestyle influences. :)

Re: Tia-ful creatures of the night emerge fleetingly into daylight

[identity profile] davidfrazer.livejournal.com 2013-06-07 08:20 am (UTC)(link)
They've released an MV teaser. To quote a comment on reddit, "Seriously, are 16 year olds allowed to be dancing sexy and wet?"

The release date is now the 11th rather than the 14th.

Re: Tia-ful creatures of the night emerge fleetingly into daylight

[identity profile] davidfrazer.livejournal.com 2013-06-10 08:48 am (UTC)(link)
And with a whole day to go, Chocolat's management are at last learning how to run a proper K-Pop teaser campaign, although this new teaser sounds as if it's probably a spoiler for the entire song...



Incidentally, today is Soa's birthday.

Re: Tia-ful creatures of the night emerge fleetingly into daylight

[identity profile] davidfrazer.livejournal.com 2013-06-11 10:50 am (UTC)(link)
Here at last is the full MV:



I liked this comment from tbe Popjustice forum:
Melanie delivered on that middle-8 and I can't wait to hear her break another sound system live.

The B-side is called All Night Long. It's a hip-hoppish R&B-ish song with a rap break by a male rapper, and I'm going to stick my neck out and suggest that the brass riffs sound freestyle-ish. :)

Jaeyoon's voice can reputedly be heard on All Night Long, which would mean that it's sat on the shelf for a few years. It would also mean that the "where's Jaeyoon?" and "omg I heard she had cancer!" comments on YouTube videos will never, ever end.

Re: Tia-ful creatures of the night emerge fleetingly into daylight

[identity profile] davidfrazer.livejournal.com 2013-06-11 01:42 pm (UTC)(link)
This is just wild speculation, but (if Jaeyoon is in it) I wonder if Chocolat recorded All Night Long, and perhaps more songs like it, pre-debut, but the company decided to switch to a more conventional K-Pop sound and gave them Syndrome instead. Certainly it would mean that the R&B and freestyle influences in One More Day didn't appear completely out of nowhere.

[identity profile] askbask.livejournal.com 2013-06-06 01:37 am (UTC)(link)
Z.Hera composers got a flavour of earlier BoA in that song. She's not really got her moves and their voices differ. BoA sounded her young age at times on her debut album, clearly reaching for something Mariah Carey-like on 'No Way' and not quite there http://youtu.be/FjfkMGE3PuQ Charming attempt, though.

Of course on other songs she found a mode she'd prove to be more comfortable with in her rookie years.



None of the songs on her Korean debut sound like the Hera track - you have to go her Japanese singles for that.



Talk about hitting her notes! Not sure what the BoA song is that made me immediately think her upon hearing Peacock - it's probably a mix of many of them.


I don't want to be a gonner

[identity profile] davidfrazer.livejournal.com 2013-06-08 10:51 pm (UTC)(link)
In other night critter news, here's a fancam of Crayon Pop's new song BAR BAR BAR.