And my question is still....WHY? Why on earth should a film not be seen as a product of its makers? Wasn't Leni Reifenstahl held directly and personally accountable for her involvement in producing Nazi propaganda? Wasn't Otis Ferguson seeing right through this trash in the late 30's anyway and wondering what sort of dope, even a Nazi, could possibly fall for it? (Answer to both questions is yes.)
Re: Film friend discusses Benjamin, not rockism