Hwayoung Triumphant
Mar. 15th, 2012 02:57 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Long-promised T-ara posts are still in the promissory stage, but as a stop-gap here's a vid I planned to embed back in early February 'cept I wanted to include everything about Hwayoung's dancing and rapping and T-ara's rapping in general not to mention her fashion and their fashion, the result being nothing got posted or embedded. This is "Lovey-Dovey," first show up after the Hwayoung wardrobe malfunction (coverings slipped, so see-through upper blouse revealed more than it should have; Hwayoung wasn't aware during the performance and it wasn't all that noticeable except concerned Netizens helpfully made sure that everyone noticed; offstage she was mortified and in tears, was too upset to go back onstage when T-ara was awarded a first). So four days afterwards here she is decidedly unabashed and unsubdued, even more flamboyant and glowing and in joy than before (Hwayoung's the one in yellow with dark diamonds; her dance and rap are 2:30–2:45; she certainly has the crowd on her side).
Hwayoung is the second-youngest member of T-ara and was added last, sixteen months after their debut; "Roly-Poly" and "Lovey-Dovey" are the first T-ara tracks to really give her a spotlight, and on "Lovey-Dovey" she's got the most important dance, the one that's set apart.
(The show was unusual in that Eunjung was out with a broken kneecap and Jiyeon away for some other reason, so the other five had the stage to their selves, Hyomin and Qri and Boram ably covering for the missing two. This was one of the performances that got me thinking about Hyomin's vocals as especially embodying the T-ara sound, cute in a way that's strong rather than ingratiating [Hyomin's the one in gold pants and red shirt with a cartoon character on it].)
For group shuffle dancing, I can't think of an act I'd rather watch than T-ara.
A month earlier, at full strength:
Hwayoung is the second-youngest member of T-ara and was added last, sixteen months after their debut; "Roly-Poly" and "Lovey-Dovey" are the first T-ara tracks to really give her a spotlight, and on "Lovey-Dovey" she's got the most important dance, the one that's set apart.
(The show was unusual in that Eunjung was out with a broken kneecap and Jiyeon away for some other reason, so the other five had the stage to their selves, Hyomin and Qri and Boram ably covering for the missing two. This was one of the performances that got me thinking about Hyomin's vocals as especially embodying the T-ara sound, cute in a way that's strong rather than ingratiating [Hyomin's the one in gold pants and red shirt with a cartoon character on it].)
For group shuffle dancing, I can't think of an act I'd rather watch than T-ara.
A month earlier, at full strength:
no subject
Date: 2012-03-15 08:25 pm (UTC)I guess I just find those lines a bit sloppy or something and that doesn't gel with what I identified as T-ara's strengths. Maybe I haven't caught her personality coming through because of that initial 'why would I want this jarring voice taking mic time away from Eunjung'. Of course she doesn't always sound like that.
no subject
Date: 2012-03-15 08:39 pm (UTC)(I haven't read much about agency and group rules and procedures in K-pop, but I recall a few things that gave the impression that, though the T-ara women feel overworked, they're not afraid to speak their minds, so may not be worried about specific retaliation and are not subjected to mickey-mouse rules such as "No boyfriends" and such. But that was based on just a couple of comments I don't remember well, or where I saw them.)