koganbot: (Default)
Frank Kogan ([personal profile] koganbot) wrote2007-07-14 09:43 pm

Rules Of The Game #6: The Boney Joan Rule

Latest column, in which I explain why everything is everything else.

The Boney Joan Rule

Your own examples or refutations are welcome.

(I'm not back from vacation, but I did find my way to a computer, and maybe I'll succeed in doing so again soon; sorry to Dave, Nia, Kat, and Jessica for not getting a chance to respond to your most recent comments.)

EDIT: Links to my other Rules Of The Game columns

[identity profile] boyofbadgers.livejournal.com 2007-07-15 02:14 pm (UTC)(link)
Yes and no. There are definitely places where genre divisions work like this: the neo-rave bangfacery/hardcore-as-is/drum'n'bass triple point immediately springs to mind. Massive overlap in sound between the three, but a v.big difference in the attitude of the punters (and DJs for the matter). But then you have social scenes which encompass several musically distinguishable genres. For example, in 96/97/98 most London acid techno, psy trance and hard house nights had exactly the same crowds going to all of them.

Psy trance is an interesting case here, in that I wd estimate that nowadays 80%+ of psy-ppl have no interest in any other dance music whatsoever, which IME of ppl-who-like-dance is rly rly odd. It seems to operate in its own little insular hippy groove. It's a bit of a shame, cos I wd like to see some of its values infecting other genres, not least the seemingly compulsory provision of cups of tea at psy venues.